The Films of 2021.第22届年度电影bit子奖
PICTURE|ACTING|视觉|yabo sports |EXTRAS|特别的|SCENES
AND THE WINNERS ARE
金牌
silver medal
bronze medal
最佳服装设计 |
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Jenny Beavan 有时,大多数服装也是最佳服装。他们绝对必须在这里。最好的:the garbage dress. |
Bob Morgan and Jacqueline West 各种影响力和专业的世界/派系的混合。也足够陌生。最好的:Anything Lady Jessica |
Malgosia Turzanska |
杰奎琳·杜兰(Jacqueline Durran) 引用Cláudio,这是一个“庆祝仍在为抽象情绪服务的时期特殊性“最好:绿色,令人窒息的珍珠项链。 |
Derica Cole Washington From an earlier post: Every character's personality is differentiated in ways both stylish, colorful, or absurd (or all three) yet all are clearly born from the same seedy titty-bar / nocturnal world. |
决赛入围者: Paul Tazewell for西侧的故事,玛丽·Zophres(Mary Zophres)The Tragedy of Macbeth Semi-Finalists:Kirsty CameronPower of the Dog,爱德华·K·吉本(Edward K Gibbon)失落的女儿,马克桥Licorice Pizza,米切尔·特拉弗斯(Mitchell Travers)在高度,Jacqueline Durran和Massimo Cantini ParriniCyrano |
最佳摄影
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Greig Fraser 轻型弗雷泽(Fraser)命令的质量以及他的图像如何使叙事情感。多么的主人。 |
Andrew Droz Palermo Surreal and atmospheric. A world that contains both history and myth, and little hope of看到区别。 |
edu grau For the tight framing, abstracting black and white, and its emotional expressiveness. [面试] |
阿里·韦格纳 Arid yet somehow sensual. You can feel the heat and the chill of nature (human) and seasons. |
Bruno Delbonnel Heightened daringly unreal lighting, in digital black and white. |
决赛入围者:Ari Wegner佐拉,迈克尔·恩格勒特(Michael Englert)Never Gonna Snow Again,和Claire Mathon for斯宾塞 Semi-Finalists: Carolina Costa forDance of the 41, Sean Bobbitt forJudas and the Black Messiah,鲁本·泰坦和Janusz Kaminski西侧的故事 |
Best Production Design
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史蒂夫·萨克拉德(Steve Saklad) To quote our teammate Mark this is expertly calibrated "delirious joyful alt-reality" from its seashell beds to its villianous HQs and showroom couches. |
Patrice Vermette 这些集合的宏伟性和严重性确实是什么。就像他们不期望生存 /不会停留很长时间的那样,他们的预兆了。 |
Adam Stockhausen |
弗洛伦西亚·马丁 它经常被描述为一部“共鸣”电影,它通过他们70年代俗气的荣耀中的套装而生存或死亡:低天花板的房间,木板镶板以及水床和弹球乐趣。 |
Stefan DeChant An imposingly stylized vision from Dechant, the architecture as abstract as the black and white cinematography and more threatenign than the Lord & Lady themselves. |
决赛入围者:我拼命想要亚当斯托克豪森(Adam Stockhausen西侧的故事, Nelson Coates's dreamy nostalgic color and especially the "Patience & Faith" segment of在高度, 和Jade Healy for the medieval halls and lush enchanted lairs ofThe Green Knight Semi-Finalists: Jade Healy forThe Green Knight,Tamara Deverell噩梦巷,Fiona Crombe克鲁尔a,Carmine GuarinoHand of God,授予专业Power of the Dog |
最佳电影编辑 |
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Myron Kerstein Polished setpieces, and fluid spectacle, the editing amplifies but doesnt obfuscate. |
彼得·斯基伯拉斯 如此多的削减令人叹为观止,富有启发性。持续紧张的奇迹和character work. |
Sarah Broshar & Michael Kahn 时尚,推动力,无论是表演还是宏伟的电影电影视觉。 |
Olivier BuggeCoutée |
Joi McMillion |
决赛入围者: Myron Kerstein & Andrew Weisblum for滴答滴答繁荣!,AffonsoGonçalves和Adam KurnitzThe Velvet Underground,乔·沃克(Joe Walker)Dune Semi-Finalists:吉恩·克利斯朵夫Bouzy泰坦,大卫·洛蒂(David Lowery)The Green Knight,Soledad SalfateDance of the 41,詹妮弗·韦奇亚雷洛(Jennifer Vecchiarello)C'mon C'mon |
Best Visual Effects |
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DUNE 臭名昭著的沙虫仅短暂地瞥见,但无论如何:视觉效果既可以提供奇观又提供世界建筑 |
永恒 For the delicate iight tracing energy powers, those colossal Celestial intrusions, and the best big screen depiction of "super speed" yet. |
自由的家伙 |
哥斯拉vs kong This series has been a wow, visually, from the start. The human drama may be absent or lacking but those two beast going at it... thrills. |
绿色骑士 梦幻幻觉,巫术或真实的事件和幻象:这全都在两者之间的某个地方。 |
决赛入围者:最佳的“支持视觉效果”The Tragedy of Macbethfor the tripled witches and her reflective pools, and all the eery out of time and placeness... like the whole movie is taking place in a fog dimension, there are abundant fun visual effects if all visions and powers that we've seen before remixed again inSpider-Man No Way Home,另一个对自己的“最佳热门歌曲”表演的自我意识的重新访问:矩阵复活。 半决赛选手:商,Chi, Black Widow, No Time To Die, 和The Suicide Squad |
最好的化妆和头发 |
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克鲁拉 足智多谋的多任务假发和陈述化妆 - 服装之后,化妆和头发是这里的表演。 |
DUNE 从跟随领导者的秃头哈尔肯南斯(Harkonnens)到阿特雷德(Atreides)富裕的房子,再到五香眼,这一切都非常令人难忘。 |
THE FRENCH DISPATCH 有趣的角色在多个时期内工作。那个年轻的尝试革命者的小胡子?完美的。 |
绿色骑士 The severed head is fantastical, iconic. But the heads still attached are beautifully styled, too. |
泰坦 Whether its broken noses, lurid autoshow feminity, or elaborate titular scarring this nihilistic French thriller delivers. |
决赛入围者: Modern makeup and hairstyling rarely gets credit but佐拉了解其任务和环境。那淡淡的“ x”辣味呢?,很难错塔米·费耶的眼睛在所有“夸张”和大部分工作的事物中,都很好而且令人信服。 半决赛选手:西侧的故事, Electrical Life of Louis Wain,41岁的舞蹈,芭芭(Barb)和星星(Star)去Vista del Mar, 和The Suicide Squad |
PICTURE|ACTING|VISUALS -you are here|yabo sports |EXTRAS|特别的|SCENES