WATCH AT HOME!
Oscar History
Welcome

The Film Experience™ was created by亚博主页Nathaniel R.Gemini,Cinephile,Actressexual.All material herein is written and copyrighted by Nathaniel or a member ofour teamas noted.

Powered by Squarespace
Don't Miss This!

Weekend box office- what did you see?

Comment Fun

Al Pacino to return to Oscar 27 years later

"I don't think there is any audience for this 3-hour Netflix film,so talking about Oscar nominations seems like a waste of time."-Huh

"Al should have at least four Oscars.亚博主页He  has given some of tne GREATEST performances in film history!"-Linda

Keep TFE Strong

We're looking for500...no461 Patron Saints!If you read us daily,please be one.Your suscription dimes make an enormous difference.Consider...

I ♥ The Film Experience亚博主页

THANKS IN ADVANCE

Interviews

Directors ofFor Sama


recent
Lulu Wang(The Farewell)
Ritesh Batra(Photograph)
Schmidt & Abrantes(Diamantino)
Wanuri Kahiu(Rafiki)
Jia Zhang-ke(Ash is Purest White)

What'cha Looking For?
Subscribe
« Between Films...Thoughts on "American Hustle"Promos| Main| NYFF: 'Manakamana' and 'Costa da Morte' »
Friday
Oct 11 2013

NYFF: 12 Years a Slave

The New York Film Festival (Sept.27-Oct 14) is in its last few days;here'sJA's thoughts on Steve McQueen's12 Years a Slave.

The free man turned slave Solomon Northrup's been sent on a trip to the grocer by the mistress of the plantation.He's to get something or other.He walks down the dirt path dutifully...until he doesn't - he darts into the woods,quickly,making pains to not be seen.His brow bursts with sweat.He dodges around trees,through vines,and he runs,and runs.We've been waiting for this moment,for his nerve to snap,for the surrounding wilderness to swallow him up and carry him back to his family up North.

If only freedom were that simple.No,simplicity belongs to the other side here.Evil comes easy.Around every corner,behind every hedgerow,a hangman.A crowd surrounding two black men,strung up.There is to be no escape-just a trip to the grocer,picking up something or other,or else.The two black men yank up into the air furiously,twitching to death,and so Solomon moves on,which is all he can do - that,or hang,twitching to death in the strange surrounding wilderness of this nowhere nothing place where he doesn't belong.

But then it's not quite a nowhere nothing place,though the plantations are all rendered as any muddy backyard anyplace,thick with moss and turned-soil stretching out - it's a specific time,and a specific place,and a specific horror where Solomon Northrup finds himself imprisoned.And to say he doesn't belong implies that anyone there does - that his birthright on one side of a line drawn on a map renders him different from the souls he now stands and suffers beside.12 Years a Slaveknows better and muddies up every distinction - freedom's just a word,its meaning rendered by the person who says it or doesn't say it,so easily snuffed out in a world built upon institutionalized indifference laid over bottomless cruelty.To say one man's a little bit better than another only seems to mean he'll push the problem,you being the problem,off on someone else - you're gonna hang either way.

To say that Steve McQueen's film renders the unfathomable brutality of this period in our history tangible in a way that I've never seen captured on-screen before is both an understatement (for one it makes the cavalier jokiness of Tarantino'sDjango Unchainedseem terrifically misguided,to put it nicely,in retrospect) and a bit of a side-step - it does that but it somehow,miraculously,does so through inclusivity.This is not a film that pushes you away,even as it renders you breathless by its terror.We become one with Solomon.That's on Chiwetel Ejiofor's flawless and open performance of course,but also McQueen's direction and John Ridley's script,which never feel the need to force us any which way but to what's suddenly,inescapably,right in front of us.The commonness of the horror,the ease of it - it's all just so simple here,the way you can turn a corner and find freedom replaced by a sack over your head and your toes scratching at the mud,as you gasp for one last strangled breath.

The scars,by the way,never go away.The ghosts neither.We might crumple into the arms of the people who love us,or we might crumple into the dirt a battered rag doll of a person,but we're all gonna fall.It's as graceless as it is inevitable.It is what comes after that means to survive.And then,after that too.And always,the after,that's all there is,stretching scarred out towards infinity,and falling some more.

PrintView Printer Friendly Version

EmailEmail Article to Friend

Reader Comments (6)

Wow Beautiful review.I'm even more enticed to see this than before.

October 11,2013 | Unregistered CommenterHenry

Can't wait!Man,is this ever a good October for movies!Gravity,Captain Phillips and this,all in a three-week span,plus here in Montreal,we get Blue is the Warmest Color,too!

October 11,2013 | Unregistered CommenterMike in Canada

Chiwetel's eyes.They are like Marion's face.So many emotions.So eloquent.That's all.

October 11,2013 | Unregistered Commentermurtada

awesome review.thanks

October 12,2013 | Unregistered CommenterNathanielR

^
ditto

Also,why is it so hard to get praise on the internet and so easy to be negative?It never stops to amaze me.

This :it renders you breathless by its terror.could be perfectly used as a blurb.

October 12,2013 | Unregistered Commenteriggy

Great review.Pretty much exactly how I felt watching the film.It feels almost besides the point to talk about this film as if it could be compared to any other film,but it is a perfect marriage of director and subject.Without a doubt,the best film of the year,and I have a hard time imagining something more vital coming along.Will it be my favorite movie of this year?Hard to say,but I don't think I've ever been happier for a film's success.

October 14,2013 | Unregistered CommenterTB

PostPost a New Comment

Enter your information below to add a new comment.

My response is on my own website »
Author Email (optional):
Author URL (optional):
Post:
|
Some HTML allowed: