奥斯卡历史
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Wednesday
Oct 26 2016

奥斯卡恐怖: The Dangerous Editing of "Fatal Attraction"

嘘!这是“奥斯卡恐怖”的奖金插曲。我们正在对恐怖连接的奥斯卡提名回来,直到万圣节。这里的丹尼尔·克鲁克在最佳影片提名的辉煌节奏

致命的吸引力wants you to keep your doors locked.It gets off on invasion, on lulling you into a false sense of security, sneaking in through the back gate, and shredding the nerves of you and everyone inside.And then it wreaks increasingly deranged havoc with maniacal glee.Such manipulation is not only the mark of a great psychopath but of a great editor, as well.In致命的吸引力you’ve got both;Glenn Close’s rhapsodic performance as jilted stalker Alex Forrest slashes at unexpected intervals but she meets her match in the finely screw-tuned cuts of Michael Kahn and Peter E.Berger.阿德里安·琳’s classic cautionary tale of infidelity gone wrong and what happens when you turn down someone’s invitation to the opera goes for the jugular (and the groin and the brain) but it’s up to Kahn and Berger to keep your guard down, raise the hairs on your neck, and provide a clear path for Close to sneak up behind you with the knife.

In致命的吸引力you’ve got both: Glenn Close’s rhapsodic performance as jilted stalker Alex Forrest slashes at unexpected intervals but she meets her match in the finely screw-tuned cuts of editors Michael Kahn and Peter E.Berger.阿德里安·琳’s classic cautionary tale of infidelity gone wrong and what happens when you turn down someone’s invitation to the opera goes for the jugular (and the groin and the brain).But in the end it’s up to Kahn and Berger to keep your guard down, raise the hairs on your neck, and provide a clear path for Close to sneak up behind you with the knife.

Nine years of happy marriage, an adorable and adoring young daughter, and an immaculate Manhattan apartment (with a big family dog to boot) has left hotshot attorney Dan (Michael Douglas) with all the conventional hallmarks of societal success and a nagging pair of blue balls.The family cozily cohabitates, lounging around like a den of happy lions, but the slack pace and disjunctive economy of shots coats the flat in a suggestion that ignorance is domestic bliss.In the opening scene, the crisscross cuts between Dan and his wife Beth (Anne Archer) calling back and forth to one another in separate rooms while getting ready for the same party signals a latent lack of togetherness built around habitual, cozy beats.Kahn and Berger coax your guard down by leaving plenty of breathing room in scenes at home between spouses – and they will continue to trick you into a resting heart rate with scenes of banal sanctuary.This is a false security leaving plenty of entry points to exploit.

In an especially sexually frustrated Kuleshov experiment, they hold on Dan’s face while his horndog hopes of getting laid melt away into disappointed acceptance and then they cut to show us that his daughter Ellen has decided to spend the night in her parents’ bed.By pacifying tension between Dan and Beth with an easygoing pace but expressly demonstrating the cracks in their home life, Kahn and Berger leave plenty of open doors for an intruder that will catch the sleeping audience off guard.

The limp rhythms of Dan’s home life feel especially flaccid once Alex Forrest enters the picture.The electricity that Close sparks with each charged glare accomplishes much of the work but there are clear visual signals that Dan feels more alive and connected in these moments than he does back home.In their first couple of encounters, we see Dan and Alex flirtatiously parry together in two-shots or group shots.Their immediate chemistry and camaraderie feels more intimate than the schematics (and accompanying cuts) of his American family.Kahn and Berger choose not to cut until their second encounter, when a striking close-up of Alex interrupts a business meeting.她偷偷信号丹,他有奶油奶酪在他的脸上,他的嘴唇上方,然后我们切断他的随行特写,打开。这是纯粹的潜在性的时刻,由编辑选择打乱他们使用催眠观众视觉千篇一律渗透。他们的第一次床戏是角质混搭过于心急,肉欲的渴切的;枪声变得更快,影片通过插入沸腾的水壶和纺纱球迷委婉的镜头开发幽默感,血液开始在影片中的静脉泵。常态消失。它是由一个汹涌ID的脉冲代替。

他们的周末幽会后,丹拒绝亚历克斯。一旦她开始她的复仇在家庭,则薄膜由不和谐的运动和拍摄设置的升档给生活带来加速的恐怖短暂的时刻标记。在影片的最臭名昭著的一幕,卡恩和Beth的柔软之间伯杰跳跃,慢的方法来一个神秘的沸水锅和头晕,快速跟踪艾伦的脚在后院给她的宠物兔子的笼子冲刺射门。虽然Beth的步伐停滞不前,增加冒泡锅的迅速出手,在那副角度冲运动和不舒服的取景Ellen的追逐加剧的迷失方向。当她抬起手柄时,切割速度可达吓坏了母亲,笨爸爸和女儿的尖叫之间的惊人的剪辑;以家庭为单位由紧张的狂热彻底打乱了,只能意味着亚历克斯是在进行中。我们几乎看不到兔子死在锅里蒸煮,但我们没有 - 在场景来自令人不安意识到安全是幻觉,由编辑时间翘曲入侵所产生的真实的恐怖。

后来,当亚历克斯绑架艾伦并把她带到一个摇摇晃晃的游乐园,他们并列的过山车有悲痛欲绝贝丝(主要是在特写和查看拍摄点拍摄)开车经过交通寻找女儿的搅动混乱。通过他们的飞车飞下来的轨道贝丝撞毁在她​​前面的车之间切的时候,他们已经采取了安全性完全被打乱了。

编辑既是对长期形成的节奏是图案的膜,因为它是蒙太奇的showier形式的鞭子,旋转,和炫你的图像的狂热飘雪。一个必要的其他影响。致命的吸引力通过起搏和拍摄各种与家庭生活的那些其和平场景认定心情在众目睽睽线圈危险。一旦亚历克斯weaseled她的方式进入丹的生活 - 即通过利用他的无能 - 电影转弯的视觉模式与暴力和危险的精神错乱爆发。的效力致命的吸引力的最疯子时刻依赖于如何建立并行卡恩和伯杰已经丹的单调的家庭生活和刺激,紧绷的战斗之间建立与亚历克斯最终相交 - 当后者赶超的危险前者的平顺性。

在这个意义上,编辑致命的吸引力是一场噩梦发电机。首先,建立了基于你的日常生活的规律和节奏一个所谓静态的安全地带。然后,利用,以便找到一个打开的窗口蠕变内的中心心理的脆弱和微妙的转变尺寸。最后,经过沉闷的气氛,让你感觉在第一时间安全的完全扭曲,你被困你允许在房子里面的怪物。

第3季奥斯卡恐怖是一个总结
坏种子- 女配角
吸血惊情四百年- 化妆
化身博士和鼠标先生-Animated短
Flatliners- 音效剪辑
怪谈- 外语片
苦难- 女演员
潘神的迷宫- 产品设计
第六感- 图片
断头谷- 产品设计
理发师陶德- 最好的演员
不请自来- 摄影
不管发生在宝宝珍?- 摄影

第2季
第1季

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Reader Comments (14)

再次关注这一点,并告诉我关闭不能性感。

October 26, 2016 | 未注册的批评家MARKGORDON

我不知道是谁的主意,这些员额,但他们为V娱乐,我想NAT来回顾一些更恐怖类型的电影。

October 26, 2016 | 未注册的批评家markgordon

看看如何关闭未在过山车上显示任何情感..它是如此可怕和反社会的。我爱她,在这!我也很喜欢那个小人总是在白色的!

October 26, 2016 | 未注册的批评家大卫

感谢您对编辑的棘手的问题一个引人入胜的文章。我特别喜欢与家人电影的慢时光通道。

October 26, 2016 | 未注册的批评家爱德华·L.

关闭创建一个生物直出直每个人的噩梦

October 26, 2016 | 未注册的批评家Jaragon

性感和性是不一样的。除非你无性怪物任何人都可以是性。性感的形体美和不可教个人存在的组合。

October 26, 2016 | 未注册的批评家/ 3rtful

我一直认为,安妮阿彻的女配角提名是关于编辑(加上围绕电影和正在风靡起来的兴奋,严重的,作为一种心脏攻击“如果你来到我家附近,我再次将 kill you, you understand?" promise), and this essay brilliantly explores and confirms that.伟大的阅读!

October 26, 2016 | 未注册的批评家NewMoonSon

对不起雪儿,但关闭shld've获得奥斯卡!

耻辱TT学院选择奖贝茨在其他精神病患者转,但没有球(双关语意)在轻松的1987年最好的和最可怕的性能关闭荣誉。

也许他们通过出色的可怕与性感关闭如何为R害怕狗屎

October 26, 2016 | 未注册的批评家Claran

贝茨有她的对手是历届获奖者(除了罗伯茨)的奢侈品。

80 BA充满了新奇的赢家:赫本的第4只因为,马特林因为她的耳聋,坦迪因为她老了,雪儿,因为她的雪儿。

October 26, 2016 | 未注册的批评家/ 3rtful

关闭是了不起的致命诱惑,但我们不要从雪儿的成绩夺走。她洛雷塔表现很精彩。在我看来,她是一个非常值得赢家。

October 27, 2016 | 未注册的批评家爱德华·L.

电影如何编辑作品的这种分析,即使它不浮华,显示了这样的见解。和致命的吸引力编辑是专家 - 这样做失去了末代皇帝?

October 27, 2016 | 未注册的批评家brookesboy

大卫 - 是因为我觉得她在那一枪显示感慨很多,即沿着线有趣(导演丹)“这是正确的,笨蛋,我有你什么是你现在打算怎么办?” I see calculation, pride but also a bit of sadness, like she knows it's ridiculous that THIS is what she has to do to get his attention.

October 27, 2016 | 未注册的批评家DJDeeJay

是的,她是性感的,该死的!

此外,亚历克斯·阿甘确实在雨天穿着白色和黑色的无雨日数。这让她的角色可以更有趣。

雪儿在月色撩人是伟大的,但是从技术上来讲,关闭的作用是比较困难比其他被提名刻画。我看不到别的女人玩亚历克斯以及关闭,但我能看到关闭播放至少一对夫妇的其他角色(猎人,斯特里普和柯克兰)的。关闭雪儿扮演的角色将是更难想象,但你永远不会关闭。她真的没有失败仍未改变。

October 30, 2016 | 未注册的批评家麦克风

伟大的职位!我还没有看过这部电影从头到尾在很长一段时间,但是看了你的帖子的越多,我想起这些序列是如何美妙合制而成。我将不得不重新审视这一个。

October 31, 2016 | 未注册的批评家考特尼

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