Oscar History

The Film Experience™ was created by亚博主页Nathaniel R.Gemini,Cinephile,Actressexual.All material herein is written and copyrighted by Nathaniel or a member ofour teamas noted.

Powered by Squarespace
Don't Miss This!
Comment Fun

Holiday box office- does anybody go to the movies on Labor Day?

"I saw "Scary Stories....".A horror anthology aimed at kids it was fun but the kids seemed a bit familiar- we already met them in "Stranger Things"and especially "It""-Jaragon

"Worked the weekend so didn't get to the movies but I did see Jude Law in a tiny white speedo in the preview forThe Young Popeand enjoyed it very much." -Ready

Keep TFE Strong

We're looking for500...no461 Patron Saints!If you read us daily,please be one.Your suscription dimes make an enormous difference.Consider...

I ♥ The Film Experience亚博主页



Directors ofFor Sama

Lulu Wang(The Farewell)
Ritesh Batra(Photograph)
Schmidt & Abrantes(Diamantino)
Wanuri Kahiu(Rafiki)
Jia Zhang-ke(Ash is Purest White)

What'cha Looking For?
« Thoughts I Had...Gaga & Cooper's "A Star is Born"| Main| Beauty vs Beast: Age Ain't Nothing But A Couple of Numbers »
Apr 17 2017

The Furniture: Toni Erdmann and the Dangers of Corporate Upholstery

"The Furniture"byDaniel Walber

[You can click on the images to see them in much more magnified detail.]

Toni Erdmannis a film about chairs.It is also a film about couches,though less so.Its grander themes,the culture of global capitalism and the relationship between parents and adult children,are excellent stuffing for oddly shaped poolside chaises and hideous hotel sofas.The milieu is convincingly skin-deep,punctuated by passionless objects that look blankly up at the uproarious behavior of the characters.

This satirical furniture represents some of the best production design of 2016,thoughToni Erdmannmay not be the first film to come to mind.

It plays a supporting role,commenting in muted colors.Yet Maren Ade's comedy of personal and professional tension has a thoughtful design sensibility,perfectly attuned to the non-places that have been projected across the globe by transnational corporations...

Ines (Sandra Huller) has chosen to spend her life in these impersonal spaces.Her father,Winfried (Peter Simonischek),has not.She has been assigned by her consulting firm to Bucharest,where she is evaluating the finances of an oil company.He lives in Aachen,surrounded by the beauty of nature and the personal trappings of an aging hippie schoolteacher.

Production designer Silke Fischer,art director Malina Ionescu and set decorator Katja Schlomer draw contrasts between these two worlds with cleverness and humor.For example,check out the terribly surprised mask that Winfried keeps on this shelf at home.

Ines's Bucharest apartment,meanwhile,is not so much minimalist as haphazardly empty: "minimalism"implies intent,which is clearly absent.Two of her houseplants are huddled together in a corner,dead,as if she had no idea where to put them and then forgot them entirely.

For her birthday party,which is really just another work function,she rents plants to hover over the food.These simple vases of tall grass are essentially monochromatic accents,as if flowers would be far too committed a statement.They would fit perfectly behind an omelette station at any hotel brunch in the world.

Ines is perhaps especially bad at decorating,but her style is hardly a divergence from that of her community.The office building where she works has an outdoor garden on one of its upper floors.Here,nature has been tamed and made manageable,like the employees.Yet it is also a bit confused.Notice the potted plant in the back,inexplicably separate from the lawn.Who thought to put it there?Its strange loneliness exposes the balcony as a corporate afterthought and serves as a microcosm for the entire garden.

Slight effort without real human purpose is the governing principle of this economy,in which ostensibly high-powered consultants traverse the world in order to serve as PR fig leaves for companies that wish to kill jobs.The results is a surreal array of meandering inspiration,impractical exertions of design like these absurd office chairs.

Rooms feel aggressively designed but their walls display no art.Conference rooms feel as if they could be torn up for scrap at a moment's notice.There are chairs in abundance and more bottles of water than anyone ever needs.It is the veneer of some very busy person's idea of professional style.

There is an even more insidious sameness in the places where these people drink and sleep.The blandness of the office seems tasteful and warm when compared with the familiarly hideous upholstery of a high-end hotel chain.

It is then a relief when Winfried invades Ines's territory with some improvised,disorganized energy.He brings Ines to an Easter party,complete with painted eggs in a charming little tree.It's not a living plant,of course,and the eggs themselves aren't home-painted.Nature,in a city,is always mediated by people.But even this homey little apartment seems like a shock to Ines.

After all,design is not without psychological impact.Ines is forever in spaces that project no human identity,setting her adrift.Neither her job nor her chair offers any real inspiration.There is no sense of purpose in her work or in her apartment.It takes Winfried's tremendous creativity to even begin to dislodge her character from its socket,and even then it doesn't quite fix things.We are,perhaps,where we sit.It takes something as visually opposite as a Bulgarian exorcism costume to break through.

PrintView Printer Friendly Version

EmailEmail Article to Friend

References (1)

References allow you to track sources for this article,as well as articles that were written in response to this article.
  • Response
    Your xbox live community start party chats launch in to cross.

Reader Comments (7)

Brilliant as always,Daniel.

April 17,2017 | Unregistered Commenterlylee

even though i'm not a huge fan of this movie every thoughtful piece on it (like this one) makes me think i need to rewatch it.

April 17,2017 | Registered CommenterNATHANIEL R

Doesn't the sizing of the fonts on the DVD cover make it look a tiny bit like it was nominated for the ACADEMY AWARD for BEST PICTURE?If you squint your eyes,you can believe.(Though I honestly wonder if design tricks like that actually throw off the ill-informed awards-illiterate all the time.)

April 17,2017 | Unregistered CommenterT-Bone

One of your best pieces.

April 17,2017 | Unregistered CommenterPeggy Sue

'Toni Erdmann is a film about chairs.It is also a film about couches,though less so.'

I love this series.

I've been hot and cold about the buzz on this film since Cannes last year but I am now keen to see it when it finally comes to home viewing in Australia.

April 17,2017 | Unregistered CommenterSteve G

Best entry in a great series!And I love this movie!It's about trying to keep our humanity despite late capitalism/management consulting,and the soulless furniture is part of how this film gets at that theme so brilliantly!

April 18,2017 | Unregistered CommenterMarsha Mason

LOVE this film and LOVE this piece possibly even more!Although is it just me or do those office chairs look kinda comfortable?

My absolute favorite thing in this movie (other than the hair monster costume,obviously) is the "decorating"Ines did for her party.So absolutely typical that not only would she have it catered,but that it would be styled just so,exactly like a corporate event.I laughed so inappropriately at those damn vases of grass.

April 18,2017 | Unregistered CommenterDancin' Dan

PostPost a New Comment

Enter your information below to add a new comment.

My response is on my own website »
Author Email (optional):
Author URL (optional):
Some HTML allowed: