Oscar History

The Film Experience™ was created by亚博主页Nathaniel R.Gemini,Cinephile,Actressexual.All material herein is written and copyrighted by Nathaniel or a member ofour teamas noted.

Powered by Squarespace
Don't Miss This!
Comment Fun

Holiday box office- does anybody go to the movies on Labor Day?

"I saw "Scary Stories....".A horror anthology aimed at kids it was fun but the kids seemed a bit familiar- we already met them in "Stranger Things"and especially "It""-Jaragon

"Worked the weekend so didn't get to the movies but I did see Jude Law in a tiny white speedo in the preview forThe Young Popeand enjoyed it very much." -Ready

Keep TFE Strong

We're looking for500...no461 Patron Saints!If you read us daily,please be one.Your suscription dimes make an enormous difference.Consider...

I ♥ The Film Experience亚博主页



Directors ofFor Sama

Lulu Wang(The Farewell)
Ritesh Batra(Photograph)
Schmidt & Abrantes(Diamantino)
Wanuri Kahiu(Rafiki)
Jia Zhang-ke(Ash is Purest White)

What'cha Looking For?
« Yes No Maybe So: "The Greatest Showman"| Main| Review: "Baby Driver"»
Jun 28 2017

Soundtracking: "Drive"

It'sChris Feil's weekly column on music in the movies!This week is the techno mythmaking ofDrive:

So there's a new musically-infused motorist crime tale on the block?WhileBaby Drivertries to take space on your headphones,it may still have to take a backseat to something even more moodily effective (if less uplifting): Nicolas Winding Refn'sDrive.

Refn is no stranger to using music (mostly in original scores from frequent collaborator Cliff Martinez) to help build his films' elusive auras,but he has never been so successful as using this tool as he is here.This film's musical identity is inextricably linked to the protagonist in ways that inform the audience of his psychosis as much as the subtlety of Ryan Gosling's performance.Just as Gosling pulls us into the mind of a lovable psychopath,the song choices help make this grim pulp landscape something beautiful.

Kavinsky's "Nightcall"is an appropriate overture of sorts,grooving to a naked sense of danger while hinting at the mythos the film aims to build around its stoic Driver.In this opening track,Refn is also preparing us for a dark fantasy of a very specific Los Angeles both swoony and terrifying.

That fusion of brooding violence and Euro-chill groove helps build the film's grungy-electric aesthetic while playing up the dualities of Gosling's largely speechless driver.When he doesn't speak for himself,the song cues embody his depth of feeling and his brewing aggression.It's a lurid,dangerously sexy,and effortlessly cool musical assemblage,much like the hero himself.

"Under Your Spell"by Desire captures the Driver and Irene (Carey Mulligan) at the growing intrigue of their flirtations,the song thumping like their quickening heartbeats that they don't exactly acknowledge."Spell"is quite the perfect word choice for what's taking place onscreen,both for the hazy glow of budding romance and the film's hypnotic pull.But underneath the vibe,the lyrics hint at the kind of obsessiveness buried within Gosling's psychosis that ultimately makes him a ruthless avenger.Love and brutality are sourced from the same part of his brain.

What is it about the music in this film that feels integral to the experience and not tacked on or performative?There's a cohesiveness to how the techno beats seamlessly ebb and flow into Martinez's score,much like how the visuals pulse from gorgeous to seedy with ease.As his compassion and compulsive punishment become equal influencers,the soundscape becomes elegiac to the grandiosity of his violence with "Oh My Love".The beautiful and perverse are one and the same - can we even tell where his motivations end or begin in the film's third act?

But this electronic vastness also serves to build a mythos around the Driver.Like the subtle ticks in Gosling's facade,there is a warmth beneath the performative coldness that's both strange and hard to pinpoint.We understand him (for better or worse) while he remains unknowable,the music sweeping and still rather placid as it elevates him to the some monolithic vigilante.After his swift justice,it's the final feeling of serenity that we remember him for before he leaves.And the film ends on a glorious musical note.

Ultimately,College and Electric Youth's "A Real Hero"becomes his definitive anthem in its ethereal,optimistic conviction - the words paint him so clearly,but you can't quite place the hero it describes.Somewhere inside there is a real humanity,something actually heroic,but he remains a bit of a ghost.A hero escaping in the night.

Previously on Soundtracking:
Big Little Lies
The Adventures of Priscilla,Queen of the Desert

Best Worst Thing...
Sister Act

American Honey

PrintView Printer Friendly Version

EmailEmail Article to Friend

Reader Comments (8)

Huge fan of this film.

Only wish Refn would make something again with that same depth of feeling.Everything since has been so cold.

June 28,2017 | Unregistered CommenterTr

This is an excellent piece.One of the best/most fitting and enriching soundtracks of this century,for the reasons stated.

June 28,2017 | Unregistered CommenterScottC

One of my all time favorite movie soundtracks.That Under Your Spell scene is perfection.

June 28,2017 | Unregistered CommenterAndrew Rech

Definitely one of the best film soundtracks ever so far...

June 28,2017 | Unregistered Commenterthevoid99

Fell in love with this movie when it first came out,and it's still one of my all-time favs.

And as soon as I heard the music ("A Real Hero,""Nightdrive,"and "Under Your Spell"),I was instantly hooked on the genre,which I found out is called Synthwave (some call it Retro Electro or even Outrunner music).And now I'm a HUGE fan.For those interested,I recommend: Miami Nights 1984,Electric Youth,FM-84,80s Stallone,Futurecop!,Le Cassette,The Midnight,Kristine,Timecop1983,Sellorekt/LA Dreams,Arcade High,Magic Dance...Sooo many artists that should be on the radio today instead of what's on there now,which is mostly crap...

There's something about Synthwave that sounds both retro and new at the same time.And in most songs,there's kind of a sadness in its tone because it makes you long for the 80s again.It's so incredibly nostalgic.

Someone else online described it as something you'd hear on the radio while driving down the Miami coast at sunset in the early 80s.It sounds so neon-infused and gorgeously nostalgic...

June 28,2017 | Unregistered CommenterEric Fremen

ScottC - thank you so much!I hope readers are loving the series so far

June 28,2017 | Registered CommenterChris Feil

That song that Katyna Ranieri sang with her husband Riz Ortolani conducting,is sublime!That song had to come amidst the mayhem (violent and discursive) -- that quavery voice sings oh so beautifully a fragile and exquisite paean to love.

June 29,2017 | Unregistered CommenterOwl

@Chris: this is an excellent series.Thanks for sharing!

June 29,2017 | Unregistered CommenterCharlie

PostPost a New Comment

Enter your information below to add a new comment.

My response is on my own website »
Author Email (optional):
Author URL (optional):
Some HTML allowed: