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Tuesday
Jun 05 2018

文档角:舞蹈与电影节

by Glenn Dunks

电影过去留连过的两部纪录片的幽灵与电影共舞独立电影节(在TCL中国剧院在洛杉矶6月7日至17日)。他们带给观众回来的东西更多无辜的能力也许是这个节日的最强的元素之一是奖品的夏令营,而不是在雪山或在阳光明媚的海滩一个疯狂的电影节的气氛。

这两个是我能到样品的比较明显的是亚历山大Monelli的At the Drive-In,电影,你可以在一通窥见怀疑自己在其他电影节已经出现了十几次。电影节的观众,毕竟,更自然地设置观看有关等的驱动,在场地或经典电影宫殿或垂死/死亡/被遗忘的filmgoing经验的纪录片。这些主题固有的怀旧和电影的崇敬使他们代表任何节日的扎实的编程...

不过,虽然这将是简单的(有争议的)来看看关于在马霍宁驱动器,在利哈伊顿,宾夕法尼亚州的生活一年这一新的纪录片,并假定它是只是,其实更多有它。At the Drive-In的宁静优雅是谁幸运的是不沾太远浪漫主义为现实的缘故一个电影制片人增强。虽然有很多的东西,观众一定会喜欢这里 - 那些在能量由电影屏幕的闪烁创建将使他们有一个温暖和模糊的感觉,约赛璐珞与数字和谁快感讨论情有独钟 - 它是什么Monelli能够与社会的主题,最终使这部纪录片去从礼貌娱乐稍微较大幅度的事做。

Anybody who saw Florian Habicht’s wonderful horror theme park doc from 2017 calledSpookers可以发现的相似性在At the Drive-In。那部电影,而兴高采烈地品味电锯挥舞小丑和血液灯红酒绿的僵尸可怕的邪恶的诡计,工作主要是因为它备受瞩目的公园成了家外之家的不称职和外人投的方式,方法,编织关于虐待的故事情节,艾滋病毒并通过一个值得注意的机构其更标准的文档型材痛苦。这是一个伟大的电影,我建议,如果你可以在你抓住它。

Likewise,At the Drive-Incaptures the Mahoning Drive-In’s cast of oddball circle of friends with a warmth that impressed me, especially when it could have been so easy to treat them as comedy. It's this reverence that helps up understand why they keep plugging away at an endeavour that feels fruitless. At one point one of Monelli’s subjects says how smart it was for him to make a documentary about this place by itself rather than his original plan of a broader strokes documentary about drive-in picture theatres. And itsmart. What’s also smart is how, perhaps accidentally, he frames the film beginning with two individuals happening upon the drive-in by accident and making it their home much like the director himself.

吉尔Salvino的Between the Shades去看电影,它不是一般,但徘徊rather one film in particular. This simply assembled doc is something of a spiritual sequel to 1977’sWord is Out南希阿代尔,安德鲁·布朗和罗布·爱泼斯坦。更加不是相机的采访,显然在灰色背景前主要做了一点了,Between the Shades致力于成为一种对当前LGBTQI运动的许多移动部件纲要。像早期的影片,在艾滋病之前的世界中,寻求简单(如海报告诉它)告诉“我们生活的故事”,所以不Between the Shades

40 years later, of course, a lot has changed and the film ultimately succeeds about as much as it fumbles. It is great to see transgender people and intersex people telling their stories themselves alongside gay people, bisexual people, and those who – when forced, of course; one of its most common refrains is “I don’t believe in labels” after all – fit somewhere else on the spectrum. They along with more recognizable names like Beth Malone, Kathy Najimy, Madonna Cacciatore, Vincent Ford and Andrew Tobias discuss identity and labels, coming out, activism, relationships and much more.

当观看另一部电影我想过Between the Shadeswas反对理由8,关于命题八在同性恋权利运动的很白,异性恋的方式很多断然国产纪录片觉得他们需要的项目。那感觉(这是我在这里的话)尊重冒泡往往在灯罩, the film making much too much of an effort to highlight how ordinary many gay people are. For all of its conversation topics, it never ventures past strictly G-rated territory to navigate the sexual lives of these people. This only seeks to highlight an almost haves-and-haves-not approach to the interview subjects between predominantly white and cisgender individuals in loving, monogamous couples, and then everyone else who are missing something.

Furthermore, there is a distinct lack of people of Asian or South Asian descent, and seemingly no representation of anybody from a non-protestant religious background. There is so much interesting stuff inBetween the Shades, and I am happy I saw it and that it is filmed for prosperity. However, in attempting to show the world what the L, G, B, T, Q and I is all about, Salvino’s film misses too much.

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Reader Comments (1)

i would totally watch this drive-in movie. I love the mythology around drive-ins which is weird because I spent so little time in them and I tended to not love going to them even when I did.

2018年6月5日|Unregistered CommenterNATHANIEL R

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