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五月 29 2019

博士角:“提案”中关于建筑的舞蹈

Glenn Dunks

吉尔·马吉德的首部作品具有建筑风格。Appropriate since it is about architect Luis Barragán.Not that that has stopped bio-docs about artists before lacking an ounce of artistry,but Magid has transferred her talents over well to the cinematic artform;among all of the wonderful things that建议一直在努力,it's one of the most beautiful documentaries of the year.

这并不奇怪,因为电影摄影师杰瑞德·奥特曼是这一领域最令人兴奋的人物之一,他的工作是毕比17岁and现代色彩是那些电影最有价值的资产之一。

Barragán,who died in 1988,仍然是墨西哥最著名和最受欢迎的建筑师,通过这部电影,不难看出原因。“建筑师中的艺术家”,he was called.当摄像机在墨西哥城高速公路上滑过巴拉格·恩的“托雷斯·德·萨特·利特”时,由于他使用了形状和明亮的方块色,他的作品被清晰地视为引人注目的,并立即产生了影响。特别有效地利用阴影,反映墨西哥文化。这项工作尤其重要,an oasis of sorts amid the strangling smog from automobiles reflects the man's work in general that are often sleek and timeless within whatever landscape they rise up out of.

玛吉德,herself an artist known primarily for conceptual installations and writing,而且,阿尔特曼使用这个框架来适应他们的主体的视觉。建议is so elegantly composed,以一种适当的惊奇和优雅来捕捉巴拉格恩的作品。But her film isn't just about architecture,建筑物和灯光。No,rather it is a filmed declaration from a Mexican artist for the return of another's to its rightful home.

You see,Barragán's work was moved after his death into the hands of The Barragan Foundation (the accent is missing for a reason,让位给它自己的艺术片,见上图)。总部设在伯斯菲尔德的秘密组织,瑞士。This includes models and sketches by the man himself as well as photography of his process and completed work by Armando Salas Portugal.根据这个人的维基百科网页,this organisation's goal is to "spread the knowledge on Luis Barragán's cultural legacy by means of preserving and studying his archives and related historical forces",但正如马吉德努力指出的那样,in doing so they have hidden his work away deep in the Alps where nobody can look at it.

Throughout建议,Magid – who's not exactly small change on the art scene – makes multiple attempts to bear witness to the archive.她向基金会及其董事和历史学家写正式的请求,费德里卡·赞科,他在电影中扮演了一个阴暗的伪恶棍;a woman so obsessed with the work of Barragán that she has all but forbidden anybody else in the world from seeing it.麦吉德和赞科通过书面通信形成了一种被保护的友谊,由导演本人讲述,sharing pleasantries and celebrations although not enough to gain access to the archive.她最大的赌注是一个真正令人愤怒的阴谋,如果你还没有意识到(我没有意识到),那就太疯狂了。但不用说,作为最后的努力,把这个人的工作带回家,让他的同胞们能够欣赏它,it's a doozy.所有这一切都以一系列的对抗而告终,这对恋人是偷窥狂,而且你的座位边缘非常刺激,所有的事情都考虑到了。

I was initially somewhat confused about what in建议enticed the team at Field at Vision,联合创始人和奥斯卡获奖导演的在线数字新闻机构第四公民,Laura Poitras.但随着麦吉德的故事展开,it becomes clear that there is much more going on here than an artist wanting to tell the story of an idol.随着麦吉德努力理解白人欧洲人把一个墨西哥偶像的作品放在金库里的逻辑,殖民化的主题变得越来越重要。它还与艺术“属于”谁的概念作斗争,at least after the artist's death.它是属于为它制造的人还是那些有钱人购买的?去年也探讨了类似的主题The Price of Everything,但到目前为止还没有成功。

This is a documentary that goes under the radar for much of its runtime,largely unconcerned as Magid is with flamboyance or grandiosity.But it slowly weaves a spell,splicing a much-needed historical interrogation of Barragán's work with that of its makers mission to bring it home to its cultural roots.我不知道吉尔·马吉德是否打算在未来拍更多的电影-建议is,after all,an extension of her own gallery installation of the same name that sought to woo Zonca to her side of the aisle – but with this debut she proves she is a filmmaker with a keen eye for the cinematic in a way that only not all do.

发布:目前已通过示波器限量发行。

Oscar chances:A dark horse,but they may be more receptive to it than the usual artist bio.Does Magid's lack of historyor纪录片的未来与机遇?也许。

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读者评论(3)

耶!你回来了!

5月30日,2019年| Unregistered Commenter肖申克

Thank God.卧槽?

5月30日,2019年| Unregistered Commenter空隙99

Yay Hurray-感觉很虚弱-想看看C。在我看过《塔利》之后,塞隆斯电影婊子的排名这是第一次(真是太棒了!!!你看!她太聪明了……and you were goooooone :-0

May 31,2019年| Unregistered Commenter马丁

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