Review: When They See Us
Monday,June 3,2019 at 1:20PM
Spencer Coile in Ava DuVernay,Felicity Huffman,Netflix,TV,Vera Farmiga,When They See Us,streaming

By Spencer Coile

Ava DuVernay,notable for her righteous films likeSelmaand13,is unafraid of holding a mirror up to a culture that has condemned the subjects of her work.Her Netflix limited series,When They See Usis a piece of television that is rooted in the history and the humanity of its subjects.Following a contentious court battle,five boys (all either Black or Hispanic) were convicted of a crime they did not commit.

Accounts of the Central Park Five have been speculated and picked apart for decades,including necessary think-pieces,documentaries,and protests.After all,they were exonerated of all their crimes in 2002.When They See Uspresents the timeline of this case;interrogation to court to their eventual release.These are all facts that a simple Wikipedia search would produce.What makes DuVernay's work so astonishing,though,is the way she imbues this narrative - one that is deeply embedded in our public consciousness - with traces of anger,and above all else,grace.

When They See Usopens in Harlem on April 19,1989."I Got it Made"by Special Ed pulsates as each of the five boys is introduced.Raymond Santana (Marquis Rodriguez),Kevin Richardson (Asante Blackk),Antron McCray (Caleel Harris),Yusef Salaam (Ethan Herisse),and Korey Wise (Jharrel Jerome) have seemingly separate lives from one another.For the most part,they do not know each other,as they come from different socioeconomic backgrounds and from different families.We are given brief snapshots into their lives before they are thrust into a situation they did not knowingly enter.Although all five boys were present in Central Park at the same time,they were not together;nor were they anywhere near Trisha Meili,a jogger who was beaten and raped by an unknown assailant.

Unfortunately,prosecutor Linda Fairstein (Felicity Huffman,in a heinous wig) finds an opportunity to convict all five boys together.There is no evidence that supports her conviction and it is pure happenstance that they were in the park at the time of the crime,yet the police use coercive strategies to force each of the boys to admit wrongdoing.Without sleep,food,or guidance from their parents,they are told that if they cooperate in finding the alleged attacker,they would be let go.Except,they were manipulated by a system designed to protect them.And in a court of law,their taped confessions are damning enough for the jury to consider them guilty.

When They See Usis complex storytelling.Ava DuVernay seems interested in telling her audience precisely "what"happened to these boys,but she transcends the typical biopic narrative structure by focusing more so on the interior of Ray,Kevin,Antron,Yusef,and Korey.We know they were convicted and we know they were subjected to a racist criminal justice system that still commits grave injustices.Amidst the trial,one of the boy's attorneys,Mickey Joseph (Joshua Jackson) asks for District Attorney Elizabeth Lederer (Vera Farmiga,in an even more heinous wig) to play fair in her case.When he claims this is about justice,Lederer remarks:

It's no longer about justice,Counselor.It's about politics.And politics is about survival.And there's nothing fair about survival.

This chilling sentiment reverberates throughout the remainder ofWhen They See Us.If the first two episodes were about a corrupt political system,its final two are about the boys' survival.Episode three follows Ray,Kevin,Antron,and Yusef as they are initially convicted and communicating with their families,but then switches to their release years later.Their stories are told separately,but their struggles intersect: finding work,balancing relationships,having to identify as sex offenders.

It hurts to watch their assimilation into a society that has seemingly left them behind.This is due,in large part,to the fact that DuVernay does not offer any time cards to let us know how long they were in prison or when they were released.Unless we knew otherwise,we have no idea how much time has passed or even what year it is.The only visual cue is that each boy is now played by a grown adult.This visual trick packs a wallop -- because each grown man looks starkly different from their adolescent counterparts.Any hint of youthfulness is gone.What remains is world-weariness and defeat.

As each man returns back into the "real world,"they wonder: whatever happened to Korey?His story is not present until episode four.Life in prison is not a prevalent motif for the other men inWhen They See Us.Instead,DuVernay saves this for Korey;the only member of the Central Park Five who refused to admit guilt for the crime all those years ago.Largely,his time in prison is spent in solitary confinement - a request that Korey makes himself.In a tiny holding cell,he forces himself to reflect on what happened April 19,1989.He relives that night over and over again,wondering what his life would have been like if he hadn't gone to the park.Here,DuVernay takes the bleak realism she employs for most of the series and brings an almost heartbreaking whimsy.What could have been for these men?How different would their lives be?But does wondering this even really matter?

When They See Usconfronts these brutal realities head-on.Because that is what this series is.It is righteous and angry television.Watching it,I felt sick to my stomach.Anticipating the injustice made my blood boil.But DuVernay,skilled as she is,shades in these moments with traces of grace and warmth.The support each boy receives from their family is enough to make you want to weep from the sheer goodness they exude.They provide great comfort and unconditional love in a time when they need it most.As one family member says:

You know what ain't changed.You.

Kevin Richardson,Anton McCray,Raymond Santana,Korey Wise,Yusef Salaam

The truth is obscured and justice is served too late.Yet these five men handle it with humanity.The series ends,as it should,with a close-up shot for each of the five men in real life and we are told where they are now.It is a technique we've seen used for so many biopics.Only,with an auteur like DuVernay,it is somehow more unique.The camera will either slowly pan up or down to their face and they will then make direct eye contact with the camera.Some of them stone-face.Others smile slightly.Regardless,it is a confrontation.It is a reminder of the years these men lost and of a system that cast them aside.But it is also an urgent plea: do better.We must do better.

Article originally appeared on The Film Experience (//亚博主页
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