Film Bitch History
Oscar History
Welcome

The Film Experience™ was created byNathaniel R。Gemini, Cinephile, Actressexual.All material herein is written and copyrighted by Nathaniel or a member ofour teamas noted.

Powered by Squarespace
Don't Miss This!
Comment Fun

"Almost There"Marion Cotillard inRust & Bone

"She was incredible in this—but she usual is.The snub hurt at the time but considering she already has an Oscar and wound up swooping in a few years later as a dark horse nominee...makes it feel ok in the end." -Philip

"Best actress of the decade."- Peggy Sue

在terviews

Zara Howard(Premature)
Costume Designer(Joker)
Cinematographer(The Irishman)
Songwriters(Frozen II)
导演s(For Sama)

Keep TFE Strong

We're looking for500。..no461 Patron Saints!如果你每天给我们读了,请一个。Your suscription dimes make an enormous difference.考虑……

I ♥ The Film Experience

THANKS IN ADVANCE

What'cha Looking For?
苏bscribe
«斯派克·李选择作为评委会主席的戛纳电影节2020| 主要| 戛纳奥斯卡影响»
星期三
一月 15 2020

一个长镜头是一个保持呼吸。

通过Cláudio Alves

花费的时间是迷恋电影制片人的不变主题。该技术的挑战和机遇,以炫耀自己的手艺让很多导演垂涎三尺。至少,那是什么,作为一名观众,有时候感觉。表征长连拍(有时长篇)作为形式主义的表现欲的工具而已将是错误的,但。在右边的薄膜,并用合适的团队这一招可以变革,能够弯曲的时候观众的看法,他们的情感依恋大家正在观看。

1917,萨姆门德斯使用长镜头作为重点感官沉浸和不断紧缩的张力。切口基本上是眨眼或呼吸,感官的眼睛和重新校准的重新定位。这是一个可以带来舒适给观众一个电影的约定。当你把它拿走,动作从未停止;就好像没有呼吸的时间或脱离。一个长镜头是一个保持呼吸,它可以是一个光荣令人窒息的事情体验...

当然,萨姆门德斯没有兴趣创建视听刺激的纯惩罚性爆炸。因为即使他的宏大史诗暴力破坏的肖像,这也是一大看点。罗杰·迪金斯摄制电影可以告诉我们可怖的景象,但他们都亮了梦幻般一样充满遐思乳白色岚,漆黑的阴影,比恐怖更美丽的。在1917,战争可能是地狱,但战争也表演值得一看的分离惊奇。

Roma

阿方索·卡隆是另一位导演谁爱长镜头。的水平方向运动和海浪Roma因为我们没有权限,通过切割,放松或看远的高潮都提出了更巨大的。Children of Men马拉松长度镜头被设置包含在单一手势件,其拜占庭复杂原始混乱的表达。运动可以是这一技术的重要组成部分,帮助的电影时间覆盖传统观念创造一些更抽象,固液异,多存在了。]

Victoria

在塞巴斯蒂安施舟人的Victoria,永恒的看法是通往超现实,这里的一切似乎痛苦的现实,虽然也喜欢通过耗尽时带来了一个幻觉的世界。这是人物的疲惫和屏住呼吸的观众的疲惫。

Russian Ark

连续拍摄的管道流体梦想和年代营养不良的世界是目前在亚历山大·索科洛夫的著名Russian Ark。在俄罗斯的历史上是遐想,几个世纪以来都收缩成通过冬宫一个梦游徘徊。因为他不砍,索科洛夫违抗我们应有秩序的理解,久而久之,并可以,因此,随意曲解它,对鬼的幻象和民族创伤的第一人称之旅。

Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles

但运动不是万能的。

一些伟大的长镜头是静态的,邀请观众,让眼睛漫步的画面。这使得观众到与艺术家和电影对话的积极参与者。在香特尔·阿克曼的电影,这个时间戏剧寂静与扩展功能特别强大。一个厨房的插曲可以成为一个窗口,一个女人的灵魂,被风吹打树是一个谜招手观众。走近,它似乎耳语。

一个长镜头可以让我们认识到我们作为观察员条件,也使我们更多地参与。这是一个神奇的一块技术难怪那太往往只在工艺和工程巫术来评价的。它的奇妙之处在于它改变了我们的看法的方式,它是如何爆发的情绪反应切不能创建以及如何打破传统的电影语言的规则。

如果制造商1917值得赞誉,是因为挑战的务实难度不是。这是因为他们可能已经造成的紧张局势,他们激发了敬畏,他们把我们呼吸的方式。

打印查看打印版

电子邮件文章电邮给朋友

读者评论(16)

伟大的职位!昨晚看了1917年,我正准备be annoyed by long takes as gimmick, and I was a bit, but also loved the instances where they were artfully applied.

2020年1月15日| Unregistered CommenterGGG

Thank you for mentioning Victoria, one of my favorite films of the last decade.What really impressed me about the one-take was the way we were confronted with living with the consequences of the characters' actions.There was no cutting away and jumping to the conclusion or to some other action.We had to endure the ramifications of each choice the characters made.

Russian Ark is also a favorite.

Miklos Jancso is pretty obscure now, but one of my first experiences with a "long-take" movie was his The Red and the White.It's a great (anti?-)war movie.

2020年1月15日| Unregistered Commenterken s.

I love the one, long take in the coffee shop in SECRETS & LIES between Cynthia (Brenda Blethyn) and Hortense (Marianne Jean-Baptiste).You cannot help but feel fully immersed in the birth of conversation between a mother and her biological daughter.Breathtaking.

2020年1月15日| Unregistered CommenterJoel M

Claudio-

How about that amazing stairwell fight sequence in ATOMIC BLONDE?That's my favorite long take I've ever seen.

2020年1月15日| Unregistered CommenterDAVID

ken s.-- I actually mentioned Miklos Jancso in this piece's first draft.I adore The Red and the White as well as Red Psalm.Great uses of long takes.

Joel M & DAVID -- Those are other two wonderful examples.I love both of them.I didn't have space to mention every long take I appreciate (this would be a book instead of a blog post otherwise), but it's great to have them mentioned in the comments.

2020年1月15日| Unregistered CommenterCláudio Alves

My favorite long takes are the love scene inA Place in the Sunand the opening ones inTouch of EvilandThe Player.

2020年1月15日| Unregistered CommenterWorking stiff

You cannot talk about these matter without mention Russian Ark, what a beautiful film.I like the dynamical persecussion scene in El Secreto de Sus Ojos too.

But my favorite could be the scene of Bienvenido-Welcome when the cast & crew take a break of filming.It makes you feel inmerse with the familiar routine of people who works in the world of movies.

Idle doubt: Is 'long take' the "official" term to this?在 spanish is known as 'Plano secuencia' that according to Google translator the english equivalent Is 'Sequence shot'

2020年1月15日| Unregistered CommenterCésar Gaytán

César Gaytán -- Russian Ark is splendorous, I love it.The football stadium scene in El Secreto de Sus Ojos was rivetting too, though I'm not as fond of the film as a whole.Never watched Bienvenido but it's going on my watchlist.Thanks for the recommendation.

在 Portuguese, it's called "plano sequência" like in Spanish.However, I believe in English a sequence shot is considered a type of long take, rather than a denomination that includes things like the Jeanne Dielman examples, when there are no different individual scenes developed within the same continuous take.

2020年1月15日| Unregistered CommenterCláudio Alves

It's such a shame that the best one-take achievement of 2019 is so overlooked: "The Body Remembers When the World Broke Open." It's totally unflashy and yet absolutely brilliant in how it confers aesthetic value, wholeness, and cultural worthiness on its First Nations subjects by making them so radically visible in what is essentially real time.And the film is on NETFLIX!Watch it, people!!!

2020年1月15日| Unregistered CommenterJonathan

Jonathan -- I really want to watch it, but it's not on Netflix Portugal.Guess I'll have to trust the power of VPNs and hope for some good internet connection.Glory to the holy wifi!Seriously though, I've heard great things about that film.Thank you for the feedback and the recommendation.

2020年1月15日| Unregistered CommenterCláudio Alves

I would also have to recommend UTOYA: JULY 22, Erik Poppe's one-take observance of the terrorist mass murder on the Norwegian island of Utoya in 2011, from the perspective of a teenage camper.I though of it a lot whilst watching 1917 - whilst technically brilliant and well worth watching, one of the few technical criticisms I would haveof Mendes' film is that I always felt like an observer, rather than being emotionally absorbed in the story.Whereas UJ22 grabs you by the throat and throws you in the middle of the tragedy, so much so that you felt the same amount of fear as the protagonists (one other technique they used to great effect is that they never show the gunmen).I still remember when the lights went up, the members of the audience had to debrief with each other, perfect strangers most of us, to ease ourselves into the more placid real world again.

(UJ22 is available o SBSOnDemand in Australia.Other regions will have to investigate themselves.)

2020年1月15日| Unregistered CommenterTravis C

1917 may not quite top my personal ballot for best lensing of the year, but you won't hear me complain about Deakins or Mendes each getting a second Oscar.也就是说,我想也许大多数des的人erves a second Oscar for the film is Dennis Gassner, for whom the task of designing and constructing a to-scale Western Front obstacle course that would fit the film's conceit was herculean.

2020年1月15日| Unregistered CommenterN8

@Claudio

在 case you're interested to watch it, the movie is Bienvenido-Welcome directed gy Gabriel Retes from 1994 and is my favorite movie of all time.(In big part because is mexican, i have to admite it)

2020年1月15日| Unregistered CommenterCésar Gaytán

I hope Birdman hasn't fallen out of favor so quickly...

2020年1月15日| Unregistered CommenterGuestguestguest

Jonathan -- I ended up watching "The Body Remembers..." tonight and it is extraordinary, indeed.I'm very grateful for the recommendation.

Guestguestguest -- I've never been too fond of "Birdman'"s use of the long take.At first, it seems like the mechanism is there to illustrate a radically subjective perspective.We're so entrenched in the protagonist's psyche that his dreams and hallucinations are seamlessly inserted into everyday life, no cuts to compartmentalize how he sees the world from how we, the audience, see it.But then the movie keeps betraying that throughline with scenes completely divorced from the main character's experience, even allying its aesthetic to the daughter's individual scenes.It makes no sense and always feels like a gimmick.A beautiful gimmick that makes great use of artificial lighting and theatrical clichés, but still a gimmick.

I'm sorry for my strong disagreement, but I am thankful for the feedback.It's great to have a discussion about this complicated film technique that can have such varied outcomes and purposes.

2020年1月15日| Unregistered CommenterCláudio Alves

1917 is so much more than its long take.Complete masterpiece.

2020年1月16日| Unregistered CommenterJesus Alonso

岗位发表新评论

输入您的信息下面添加一个新评论。

我的回答是我自己的网站»
作者电子邮件(可选):
作者URL(可选):
帖子:
|
一些HTML允许的: