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“感谢你为这个均衡的审查。我不加掩饰的爱情电影,并感叹其混不下去获得牵引力在最佳动画类(和国际故事片类,对于这个问题!),但据我所知,并与大多数的同意 your caveats..." -罗恩

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星期四
一月 16 2020

评论:用你耐候

通过蒂姆

新海诚,日本动画导演,其新片与你耐候在美国公开赛本周末,已经磨练与多年来laserlike强度几个特定的​​审美当务之急。其中之一是雨,并且每个微滴捕获并反映阴天的漫射光的方式;一个是阳光的刺穿他们的方式进入背阴区域亮度,与模糊,尘土飞扬边缘模糊明暗之间的差异;一种是横向平面度骑在列车力到骑乘者的感觉,转化成风景跨越彼此移动动作的平面的方式。他也赞成关于青少年,开始的极端情绪状态,但不限于青春的浪漫激情的故事,这些故事往往会在尽可能多的不满意的诡计作为一个体面的电影制片人就敢投入,否则满足剧本表达渐行渐远的感伤结束。

与你耐候,自带已与专门让他追远的人可能可能这些事情每一个明显的目标,创造了一个场景。这是关于一个近未来东京,它总是下雨,一个十几岁的女孩谁拥有创造少雨阳光的局部口袋的能力...

她和一个十几岁的男孩形成以企业从地方到另一个地方去(火车!),雕刻阳光出来了抑郁的情绪,并在爱的过程中掉落,导致一个完全荒谬的结局那是因为华丽衷心的,因为它是老生常谈。

这部电影已经赢得了声誉,它的不如导演的最后一部电影,崇高你的名字。,这是真的够了。但作为好你的名字。将是任何导演一个艰巨的任务,我认为新海来了很多很多比临界共识更接近你会相信。从技术上讲,至少,与你耐候可能是更多的加sive film.When I say it's always raining in this film's Tokyo, I mean that it's总是raining, and the sheer multiplicity of shots involving water, either falling from the sky or gathered in puddles, makes this one of the most impressive feats of effects animation out there.

And the film knows this.It will routinely hold on a shot of some particular visual aspect of water – how it flows, how it sparkles, how it splashes – and just let us appreciate all of its beautiful fluidity for a moment.This isn't new territory for Shinkai.His films are always first and foremost mood pieces, watching landscapes as they are worked upon by light, wind, and rain;与你耐候is maybe the most extreme version of this, happy as it is to foreground weather as the major aspect of its story.Whatever the case, it results in a film that puts up a strong fight to be considered the most altogether beautiful animated film of 2019 – maybe the most beautiful film, period.

The story used as the pretext for this beauty is more sedate than the elaborate, psychologically complicated game of identity in你的名字。Teenager Hodaka (Kotaro Daigo or Brandon Engman, depending upon which dub you see) is a runaway from some stultifying small town, who winds up in Tokyo with nothing but hope and innocence;he ends up working for an idiosyncratic publishing house that has only two employees, owner Keisuke (Shun Oguri/Lee Pace), and reporter Natsumi (Tsubasa Honda/Alison Brie), and focuses exclusively on tabloid-esque paranormal stories.This is how Hodaka hears rumors of certain young women who can control the weather, and how he meets one such magical person, Hina (Nana Mori/Ashley Boettcher), who lives alone with her younger brother, dodging child protection services.And here the plot basically stops developing for a good solid hour, as we watch Hodaka and Hina get to know each other while the cops fumble around in the far background.

The film gets extremely peculiar in its last quarter, first shifting into an action-heavy chase scene before shifting again into inscrutable metaphysics.And then, at last, it ends in pure sentimentality, so devoted to the emotional story it's telling that it completely abandons anything else (most notably, the suggestion in the film's early going that this will be a fable about climate change is done away with entirely in the climax, which cares about the weather solely as a thing that either puts you in a good or bad mood).It's a little cloying: in either Japanese or English, some of the protestations of love are overripe to the point of kitsch.But it's so nakedly sincere that it's hard to feel bad about it.This is a big-hearted, sloppy film, just like你的名字。and every other one of this filmmaker's projects;tidying it up would possibly make it more satisfying as a story, and would maybe give it some sort of coherent meaning beyond "ah, teen romance!", but it would surely rob it of some of its rich melodrama as well.

Besides, no matter how clunky the plot gets, and how shrill the sentiment, this is never anything but a breathtakingly lovely film.The explosions of color within the general scheme of grey, or the roving camera movements through lovingly-detailed spaces in Tokyo, or especially the blissed-out adoration of sunlight and the way it interacts with different objects, are overwhelming, spectacular but also so emotionally resonant that theY feel delicate and intimate.This is the best动漫film imported to the United States in 2019, and while that turns out not to be enough to have won the film an Oscar nomination, this is still a tremendous work by a major artist.

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读者评论(4)

True, not as good as YOUR NAME, but just as beautiful - if not more so.

2020年1月17日| 未注册的批评家Glenn Dunks

Thank you for this balanced review.I unabashedly love the film and lament its having failed to get traction in the Best Animated Feature category (and in the International Feature Film category, for that matter!), but I understand and agree with most of your caveats.The film is breathtaking.I wonder what it will take for Makoto Shinkai to get a nomination as the other superstars of modern Japanese animation, Mamoru Hosoda and Hayao Miyazaki, already have.

2020年1月17日| 未注册的批评家罗恩

This was not good at all.I’m super disappointed.

2020年1月18日| 未注册的批评家beyaccount

I appreciate your review, I think my expectations were a bit to high, coming of films of the like of Your name and Mirai, although a different director, I certainly was going in not ready to see the film for it's own merits, and continuously comparing it to some of the greats in Animation.我承认,它不会在少数地区达到它的最大潜力,也许不是团结一致很强的故事性其他新海电影,但是这是一个电影的美女,动画是恒星,开盘现场孤独,女孩时 is floating in the air as she has come to new powers is insanely beautiful animation.我必须承认,当孩子们正在下降通过天空,男孩说:不放手,是眼泪来掉落下来。

2020年1月19日| 未注册的批评家迭戈

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