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«什么你看到这个周末?| 主要| 2019电影覆盖面是一个总结。»
星期日
二月 23 2020

评论:不要错过“然后我们跳舞”

通过Cláudio Alves

一个人就是力量,很难不屈的丰碑。一个女人是纯洁,柔软而有弹性的愿景。对于那些谁教的格鲁吉亚传统舞蹈,这种二元无异于一个普遍的真理,其宇宙确定性必须由精心设计的机构的支持。但双星是注定要由做人的混乱打破惯例。米拉的莱文阿金的主角And Then We Danced,是人性化的,打破常规,暴露了其脆弱的脆弱性的元素。

梅拉布太软为古迹。他太有弹性是民俗传统的人。他仍然是一个人,虽然和舞蹈演员太,一个火车是国家格鲁吉亚乐团的一部分...

他的身体,雕刻成完美的肌肉,拒绝屈从于传统的诉求,争取自我表达的一种形式更切合其个人身份。于是,他挣扎。此外,与所有舞者,他做斗争到编排,那些听众进行与那些更内部执行一连串的。

传统与现代的舞蹈是关注的焦点。这个舞蹈动作外面的世界的曲子,它的节奏被历史的步伐缓慢和进步的狂热步骤中定义两者。每天梅拉布经过这个编排的动作,训练的艺术古时代的同时探索的欲望,对于他的许多同胞,代表的近代恶习。

进入伊拉克利,在课堂上一个新的学生谁最终给出米拉理由一的观众表演欲望。这外人像迈拉卜的反转反射。他的纪念碑是米拉不能,与失去信心的完美主角无法仿冒。在某种程度上,米拉想成为伊拉克利,但他也想him,心痛如此。这种欲望在避免目光和随意触摸,嘲弄和挠曲色情诱人的需要节目芭蕾舞表示。这是最危险的一种的双人舞,因为同时保持眼镜看不见他们周围的人都必须跳舞对方。

世界说,欲望的舞蹈这个特殊的排列是被禁止的。它与更衣室嘲笑和暴力的传闻,残忍的笑话和喜欢说它。当然,当世界需要你不跳舞,你的脚会开始不停地敲着不管。And Then We Danced讲述这首歌的故事,这个反叛压迫的诞生和需要忠实于我们真正是谁。因此,该膜采用的是从内部开花,直到它到达外面的世界,露出其侵颜色都可以看到的觉醒的形状。

如果您希望觉醒是无痛你注定失望。不管它的美丽和它的胜利通道,莱文阿金的电影从来没有在浪漫完美的错觉放纵。就像人类本身在其所有的约定破的辉煌,这是一个混乱的故事。它适合一路上启动,停止性满足的梦想,然后落入拒绝的恶梦,失去一个悲伤的婚礼线程,直到它闪耀明亮的试镜现场为年龄。

And Then We Danced是有风险的不屈,通过叙事公式,总是乐于逆势其规范同时链接。兄弟冲突的一些意想不到的场景,例如,告诉我们还有沿途正在进行其他的舞蹈,一个关于兄弟的阳刚之气,其结论是从来没有达到过。舞蹈所有组合和相互啮合的,闹了,这可能是一个混乱的经验,如果不是阿金的电影制作的优雅形态,这是能够让一个婚礼聚会到破碎的心的游行,和多才多艺的演员的成就。

莱文Gelbakhiani扮演米拉在浓郁的性能,在肩膀的紧张和颈之交可以告诉我们十几独白都做不到。即使当他站在原地,他的某些部分是为我们跳舞,无论是他的目光流连或微笑翻筋斗的行成一个鬼脸。他还用相机和观众跳舞。类似拍摄他的男主角,好像他的身体是landscape of endless aesthetic possibilities, shifting focus making immobile limbs swivel between fuzziness and razor-sharp definition.In a film of many dances, it's only appropriate for the camera itself to be part of the show.

And Then We Danced, which takes place entirely in Georgia, was Sweden’s submission this last season for Best International Film Oscar.It's now playing in select US cities.

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读者评论(8)

Such lovely writing.Thank you.

2020年2月23日| Unregistered CommenterJames

Just got back from seeing it.So beautiful and I kinda teared up when Robyn’s ‘Honey’ came on.

2020年2月23日| Unregistered CommenterAquila Henry

Gelbakhiani is truly marvelous, and the camerawork is his equal in litheness and musicality.Wish some of the narrative beats were less formulaic, though.Good film all around.

2020年2月23日| Unregistered CommenterJonathan

Saw it in Cannes last year and it's regularly been on my mind ever since.Great flick!

2020年2月23日| Unregistered CommenterFrenchToast

We've programmed it for our Spring LGBTQ film for Texas A&M's professional network (after Neon wouldn't give us PORTRAIT OF A LADY ON FIRE--Good luck getting that booked at the local Cinemark, guys!) I'm really looking forward to bringing it to culture starved small-town Texas queers.

2020年2月23日| Unregistered CommenterDan Humphrey

Saw it last year at the AFI EU Film Festival and cannot stop thinking about this one.A really great film.

2020年2月24日| Unregistered CommenterCharlieG

Aquila -- isn't the "Honey" scene perfect?I love this movie so much.Have seen it twice already and considering returning for round 3.Lovely review Claudio - especially what you said about the camerawork.

2020年2月24日| Registered CommenterNATHANIEL R

I really liked "And Then We Danced." It's formulaic, but it is nonetheless affecting and quite moving.Levan Gelbakhiani is a star.His face and body are so expressive.If the whole movie was just that "Honey" scene it would be the best movie of the year for me.

2020年2月24日| Unregistered CommenterRaul

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