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Wednesday
Feb 05 2020

Can Thelma Schoonmaker beat her own record?

by克劳迪奥·阿尔维斯

Throughout the History of the Academy Awards, two filmmakers have received eight nominations in the Best Editing category.They are Michael Kahn and Thelma Schoonmaker.They also happen to be among the four people currently tied for the title of 'most awarded film editor of all-time'.Daniel Mandell and Ralph Dawson as well as Kahn and Schoonmaker have all won three statuettes (though Schoonmaker and Kahn lead the nomination tally).Both of those champion editors are still active, so one of them may beat these Oscar records.As of the moment, Martin Scorsese's most important collaborator is in contention to win her fourth Oscar for爱尔兰人

If it happens, she'll become the undisputed queen of film editing in Hollywood.In regards to the Academy Awards, that is…

Still, before we talk about records overcome and Oscar monarchy, it's good to consider the work by itself.While some might think otherwise, the length of a film isn't a certain indicator of the judiciousness of its editor.While爱尔兰人is a titanic enterprise, covering half a century of History in three and a half hours, its pace is a wonder of precision.By no means we're saying you don't feel all those hours - you do.However, that's more of a feature than a fault.

Unlike other Scorsese projects,爱尔兰人is uninterested in glitzy surface-level pleasures.It's a movie that asks its audience to step inside its languid meditations on memory and regret, drowning each spectator under a waterlog of fatalism.We are meant to feel the weight of passing time, its abrasive touch, its lack of mercy or compassion.What we're not meant to be is bored and Schoonmaker is here to keep us on our toes, cutting dialogues with sharp structures and snappy rhythms, varying the length of scenes so that we never know if we're getting a marathon-length conversation or a fragment of explosive violence, a glimpse of character detail or just a fun bit of food porn.

It's through her cutting that the film gains its peculiarly functional shape, bursting with strange intromissions of memory or moral authority here and there.Notice how we see the film's most unforgivable betrayal in its first moments, way before we're even introduced to the victim whose blood will paint a wall.Or how Jo Hoffa's paranoia is intercut with flames and dynamite, illustrating her fear of starting the car in case someone has made it into a bomb.There's also the question of POV and sightlines.Despite Frank Sheeran being its main character, Schoonmaker and Scorsese rarely privilege his physical perspective on the narrative.

What we get, instead, are numerous scenes where the audience is meant to read the camera placement as a continuation of his daughter's look or even Jimmy Hoffa's.They are爱尔兰人's moral compasses and it's through their judging eyes we see this world even though it's through Frank's words that we meet it.Like its jumping chronology, the picture's perspective is finely tuned, making this epic a propulsive trip straight to the funeral home.There are remembrances and regret, inflammatory apathy and cruelty, but, at the end of it all,爱尔兰人is a requiem.Schoonmaker never loses sight of it and it's thanks to her that the final object is so masterfully affecting.

灿斯洪马克击败奥斯卡纪录?更重要的是,她不值得?

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Reader Comments (15)

She's a fine editor but The Irishman is not the best showcase for her abilities.It's downright flabby and could've used more judicious pruning both at the scripting and editing stages.Now...it could've been worse film without her input, which speaks to just how difficult it is to judge the work of an editor.The best editing tends to be invisible.

In my mind, Parasite was the best edited film of the year.There are a number of sequences that simply wouldn't be as effective had the editor made different choices.

February 5, 2020 | 未注册的批评家Wallace McKelvey

I wish!!我觉得塞尔玛完全符合爱尔兰人胜过自己。在所有的过度不觉得给她一个又一个与工作这个好。

手指交叉她,但我很高兴看到寄生虫取胜。而没有其他人。

February 5, 2020 | 未注册的批评家罗杰

另一个强奸犯死了!

February 5, 2020 | 未注册的批评家麦克风

麦克风-

柯克·道格拉斯?

February 5, 2020 | 未注册的批评家苏珊娜

柯克·道格拉斯刚刚去世......该死的...我希望他会活得更长一点是在蚂蚁人3。不过,他是一个他妈的神。

February 5, 2020 | 未注册的批评家thevoid99

苏珊 - 是的,RIP到纳塔利伍德。

February 5, 2020 | 未注册的批评家麦克风

像奥利维娅·德哈维兰看起来会活得比他们... ... 104和依然强劲

February 5, 2020 | 未注册的批评家苏珊娜

其实,奥利维亚小姐是103。她将在七月初转104。

February 5, 2020 | 未注册的批评家

我不认为她应得的。

February 5, 2020 | 未注册的批评家佩吉苏

我有一个奥利维亚问题。哪里是我的宿怨DVD吗?

February 5, 2020 | 未注册的批评家brookesboy

我呼吁强奸犯索赔BS。你能证明这个吗?娜塔莉没有指责他?

February 5, 2020 | 未注册的批评家Nnnvgnn

伙计们,我们可以请让事情上的话题?

February 6, 2020 | 未注册的批评家格伦扣篮

丹尼尔·曼德尔(1895年至1987年)[3/5]
洋基的骄傲,42
最好的年份我们的生活,46
公寓,60

拉尔夫道森(1897-1962)3/4
仲夏夜之梦,35
风流世家,36
罗宾汉,38历险记

迈克尔卡恩(1935)3/8
夺宝,81攻略
辛德勒的名单,93
拯救大兵瑞恩,98

西尔玛斯洪马克(1940)3/8
愤怒的公牛,80
飞行者04
无间道,06

February 6, 2020 | 未注册的批评家Melchiades

爱尔兰人并没有取得什么...

February 6, 2020 | 未注册的批评家TOM

寄生虫可能会,而且也应该赢得这场。两者都是值得的,并且都要求第二观看,这将在本周发生。但是,寄生虫是建筑渐强,而有力地解开。

爱尔兰人在技术上是奇妙寿,和她通涉水色调的变化,从最早期的马蒂狂潮,给更多的制服和阴暗的大部分电影。

February 6, 2020 | 未注册的批评家

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