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主要| 知人蕾切尔薇兹»
星期二
损伤 10 2020

评论:新的“爱玛”。

林恩·李

现在,我们已经重新审视过去艾玛改编像1996's Miramax release1995'sClueless克劳迪奥的礼貌,是时候将注意力转移到最新版本,它只是去宽的最后一周。这是一家以生产和相对较晚,标志着导演和编剧处女作,分别摄影师秋德·王尔德和布克获奖新西兰小说家埃莉诺·卡顿的,以及主演由后起之秀安雅·泰勒00:18为首的大部分新面孔的CAST(The Witch)。不管它是缺乏大牌它肯定弥补了在独立信用。

其结果是艾玛这是光明的,有趣的,和有趣 - 没有达到的高度升华Clueless但比1996年米拉麦克斯版本,格温妮丝帕特洛更大的成功。这种适应也是非常漂亮的来看待,这要归功于摄影师克里斯托弗·布维尔特(去到DP的凯利·赖克特,包括the newly released牛首),谁创建了一个田园和柔和为主的环境类似于半华托画,半马卡店,和同样丰富多彩的时期,但是,俏皮的服饰由亚历山德拉·伯恩(损伤y, Queen of Scots,无论是ElizabethS,以及多个奇迹的电影)定期圈点全部用漫画的视觉噱头的可爱。

虽然影片仍然忠实于源材料,还带来了富裕和社会强大的年轻女子一个微妙的现代女性的视角来奥斯汀的唯一的故事 - 尽管一个谁需要学会更聪明地利用自己的力量。

播放主角简奥斯汀自己形容为“女英雄的人没有人,但我会很象”,是任何女演员具有挑战性的任务,as Claudio’s already noted。尽管艾玛不需要,实际上可能不应该,是too惹人喜爱,她必须是有趣的,并最终一团和气,泰勒 - 喜熟练地在这里拉了这种平衡。起初有一些有点令人不安,甚至倒胃口,她几乎不自然宽,大幅探测眼睛,知道表达。She looks like the cat that swallowed the canary, signaling everything Emma’s subsequent behavior confirms: a conviction as deep as it is wrong that she can order not just her own life but the lives of everyone around her, and that everyone will be better for it.毕竟,所有她有成功迄今同时管理她的忧郁症的父亲(比尔·奈伊)和她的不寻常的柔韧姆(杰玛·惠兰);为什么她不该拿在手上,并成为一个好她的对手更加柔韧新朋友哈里特·史密斯(米尔·戈斯)?但随着艾玛的计划,一前一后,在她的脸上炸毁,我们看到臭美的自我满足的空气逐渐崩溃和溶解,露出她所有的内部漏洞和她甚至从来不知道她的感受。

泰勒喜悦也很好用演员/歌手强尼·弗林乔治·奈特利,艾玛的妹夫和配对(技术上搅局,我猜?)心心相印 - 尽管,她-doesn't,无所不知的呢。先生。Knightley is in some ways a difficult love interest to sell on screen, as he spends most of the story as an older-brother-knows-best type whose main role is to provide family support but also to keep Emma’s ego in check and figuratively rap her knuckles when she does something silly or mean.(他是几乎总是事实右翼的减少,加剧了困难。)像1996年米拉麦克斯的版本,当然,Clueless,这种适应裙子铸造有人用大量的性感和非化学兄弟艾玛的问题。弗林传达Knightley的深,如果他每次看她的时间复杂吸引她的,甚至会影响他不满地半愁容是最终成为多先生的登记达西样闷烧。

与此同时,电影尤其是地方几乎相等的权重上艾玛的哈里特·史密斯,一个字符谁可以很容易遇到的笨蛋关系。哥特的哈里特更有意思,开始了由艾玛的关注眼花缭乱的天真女孩谁与漫画全部屈从于她的影响力,但最终呈现意想不到的情感深处,使她不仅仅是一个棋子或点睛之笔。德·王尔德取得了它在采访中明确表示,重点是这名女友谊是故意的,并且它也有助于人性化的艾玛。不像小说,艾玛的大量信号 and Harriet were never meant to be close long-term friends – mainly for class reasons – this film version manages to wrest something more meaningful out of their intimacy than mere youthful folly.

Not all of this艾玛’s choices work quite as well.The portrayal of the unctuous vicar Mr.Elton (Josh O’Connor) and his wife (Tanya Reynolds), errs on the side of being overly broad, in lieu of the more pointed satire of social climbing presented in the book.By contrast, British comedic treasure Miranda Hart is comparatively underutilized as poor local spinster Miss Bates, although she does get a hugely impactful, not at all funny gut punch of a scene that elicited actual gasps from the audience I watched the movie with and that marks the beginning of the end of Emma’s superiority complex.The film also doesn’t seem very interested in the characters of Emma’s foil, the accomplished but reserved Jane Fairfax (Amber Anderson), or Emma’s dashing but unreliable potential suitor, Frank Churchill (Callum Turner), although their lack of development is hardly limited to this particular adaptation.In fact, every time I read or see a version of艾玛, I find myself wondering what a retelling of the story from Jane Fairfax’s point of view would look like.More Charlotte Brontë and less Jane Austen-y, perhaps, which might be rather intriguing.

We’re in Austen land, however, and overall I think she would be pleased with this adaptation of her most complex and intricately designed novel.Like its heroine, it’s handsome, clever, and rich, witty and at times exasperating.But also like her, it progresses organically to a greater maturity and grace that make the journey worthwhile.

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读者评论(8)

Clueless has aged so poorly.I watched it the other week and was absolutely shocked.Looks like a commercial at this point.

2020年3月10日| Unregistered Commentermanliano

Johnny Flynn is a snack.

2020年3月10日| Unregistered CommenterTyler

This film looks like something out of a Wes Anderson film, with the wit of Walt Stillman.I would recommend it

2020年3月10日| Unregistered CommenterThefoxgoestothemovies

I hate to say it because I like her (loved The Witch) but I thought ATJ totally missed the mark on this one.I get that the character of Emma is supposed to be a pain to everybody around her but here she comes off like a total sociopath.I was afraid for her friends and loved ones.

2020年3月10日| Unregistered CommenterJason

Miranda Hart was the stand out for me.She's always SO funny and yes, her gut punch scene also elicited gasps from the audience and just...OOF it hit perfectly.

But ATJ/Flynn have great chemistry.I needed to hydrate after their dance scene.

2020年3月10日| Unregistered CommenterRyan T.

Saw this a couple of weeks ago and really enjoyed it.Agreed that moment with Miranda Hart had me gasp aloud in the theater.

Would have liked a little more development with the supporting characters;the subplot with Frank Churchill and Jane Fairfax seemed a bit undercooked as presented in the film.(I kept losing focus and wondering if it was going to be revealed that Churchill was gay, ala Christian in Clueless, but of course, that’s not actually in Austen’s text.)
On the other hand, Mia Goth was quite the revelation for me.She had some great layers to add to an otherwise sweet and simple character.

And agreed with Tyler: Johnny Flynn was quite lovely and added a lovely gruffness to this film.There’s something slightly off about him, which totally draws me in.Like a slightly more attainable Charlie Hunnam.

2020年3月10日| Unregistered CommenterHardyofHearing

I'm not voting for Biden.

2020年3月10日| Unregistered CommenterLux

@HardyofHearing - I personally find Flynn much more interesting/appealing than Hunnam, but I do agree that there's a resemblance.:)

2020年3月10日| Unregistered CommenterTyler

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