Oscar History

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Entries by Daniel Walber (106)

Jul 25 2018

The Furniture: Cracked Mirrors,Double Lover

by Daniel Walber

Few things were more inevitable than a Francois Ozon film in which Jérémie Renier makes out with himself,however briefly.It's the erotic cherry on top of a career of rule-breaking sexual escapades and pastel pastiche.Double Loveroften feels like a return to some the director's early ideas,including the effervescent camp ofSitcomand the throbbing sexual ambition ofCriminal Lovers.

Yet this newest feature does at least begin with a grounded plot than these earlier films.Chloé (Marine Vacth) is a young woman with a recurring,potentially psychosomatic stomach problem.Naturally,she goes to therapist,the affable and reassuringly-sweatered Dr.Paul Meyer (Renier).Chloe sinks into one of his welcoming leather chairs,settles her feet on the fuzzy carpet,and tells him her story.The sessions go so well that,before you know it,they've moved in together...

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Jul 18 2018

The Furniture: Mattes,Moons and Mountains in For Whom the Bell Tolls

Daniel Walber's series on Production Design.Click on the images to see them in magnified detail.

Sam Wood directing Ingrid Bergman and Gary Cooper in 1943's top picture

It can seem kind of crazy thatFor Whom the Bell Tollswas the top box office hit of 1943.The star power of Ingrid Bergman and Gary Cooper played into it,of course.So did the fact that it was an adaptation of Ernest Hemingway's popular and recent novel.And there's the obvious appeal of Cooper fighting a bunch of Fascists,a year and a half after America's entry into World War Two.

The thing is,he doesn't actually do all that much fighting.No one in the film does.It's mostly a contemplative interlude on the fringes of the Spanish Civil War,a brutal vacation with a band of hardened guerrillas,a doomed love story built from trauma and consummated on the high rocks.It's 165 minutes of memory,frustration and stasis.

It also wound up with nine Oscar nominations,including both cinematography and art direction.And the collaboration between cinematographer Ray Rennahan and the design team of Hans Dreier,Haldane Douglas and Bertram C.Granger is really the highlight of the film,even against the life-giving energy of Katina Paxinou's Oscar-winning performance...

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Jul 11 2018

The Furniture: Theatrical Magic in "Fanny and Alexander"

"The Furniture,"byDaniel Walber,our weekly series on Production Design returns for Season 3!Kicking off with an episode of ourIngmar Bergman Centennial Mini-Series.

There is so much to say aboutFanny and Alexander.It has the visual density ofThe Age of Innocence,the spiritual ascent ofBerlin Alexanderplatz,and Ingmar Bergman's remarkable way with character.These elements gather together to form a benevolent and mystical dome,one which will define the young Alexander's relationship to his family and his world.The film is built with a free sense of reality,leaping across time but lingering in resonant moments.Bergman casts the Ekdahl family as practitioners of a magical humanism,which which whisks the audience through these many hours as if in a dream.

Much of this atmosphere depends upon the film's Oscar-winning production design.

Its furniture magic takes center stage in the first act,late into the early morning hours of Christmas.Oscar Ekdahl (Allan Edwall),Fanny and Alexander's father,spins a fantastical yarn about an otherwise unremarkable wooden chair.Its long history and hidden power,he says,make it the most valuable in the entire world.Between the flickering gas lights,the holiday atmosphere and the mood of childlike wonder,we are all taken in...

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Apr 09 2018

The Furniture: Demolition and Preservation in The Molly Maguires

Daniel Walber's series on Production Design.Click on the images to see them in magnified detail.

Every now and then,while poring over lists of Oscar nominees from years past,you stumble across a movie you've never heard of.Not even once.In 1970,the Best Art Direction category included two big war movies (PattonandTora!Tora!Tora!),another hit Best Picture nominee (Airport) andScrooge,the musical adaptation ofA Christmas Carolstarring Albert Finney.Then there'sThe Molly Maguires,the only one not nominated in any other category.

So what'sThe Molly Maguires?Well,for one thing,it wasn't a hit.But that may have been more a result of the film's dour subject matter than its quality.It stars Richard Harris as a real life undercover Pinkerton Detective,tasked with infiltrating a group of Irish industrial terrorists in 1870s Pennsylvania coal country.Though just a few men,the Molly Maguires have been creating tremendous chaos,blowing up mines and eliminating abusive company supervisors.

These are the early days of organized labor in America,when robber barons hired armies of ersatz police to brutally repress strikes and intimidate low wage workers.Sean Connery's "Black Jack"Kehoe and his co-conspirators are immigrant miners who have been pushed too far...

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Mar 26 2018

The Furniture: The Age of Innocence and the Living Museum

"The Furniture"honors the Production Design ofThe Age of Innocence(1993) for its 25th anniversary year.The Martin Scorsese classic isnewly available from the Criterion Collection.(Click on the images to see them in magnified detail.)

by Daniel Walber

The final act of Martin Scorsese'sThe Age of Innocenceleaps through time.The ever-roving camera comes to a temporary rest in the home of Newland Archer (Daniel Day-Lewis),married to May (Winona Ryder) and entering the longue durée of family life.But this relative physical stasis comes with the sudden acceleration of time.Scorsese and editor Thelma Schoonmaker fast-forward through years of business,leisure and child-raising.After nearly two hours of social whirlpools and lingering formalities,suddenly it's a new century.

But despite the speed of this sequence,it's important to pay close attention.On the wall of Newland's family home rests one very famous painting.Somehow,through the magic of cinema alone,our hero has ended up with JMW Turner'sThe Fighting Temeraire.

It's an icon for his last days,a masterpiece of a bygone era being towed away...

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