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Amirhere,with this month's edition ofteam top ten.As the art of acting and our interpretation of it evolve,definitions of what we consider a good performance change.It's become an annual tradition to discuss whether a motion capture performance or some "alternative"form of acting deserves to be in the awards race.Last year's topic of conversation was Scarlatt Johansson's voice work inHerand that's the topic we've turned our attention to.(Thanks toMichael Cusumanofor his suggestion!)

Voice acting has existed since cinema found sound and it has contributed to the medium in more memorable ways than a list of ten entries can represent.We were not limited in our option to animated films or any genre.So long as the voice performance was not accompanied by visual aids from the same performer (e.g.Andy Serkis's work in LOTR was not eligible),it was fair game.Naturally,our list is animation-heavy,but there were others firmly in the race likeAlec Baldwin's exquisite narration ofThe Royal Tenenbaumsor especialy Marni Nixon –of whom The Film Experience is a big fan亚博主页– who received several votes butjustnot enough.

Without further ado,here the collective top ten created from the rankings of each contributor's individual ballot

Top Ten Voice Performances of All Time

10.Peter O'Toole (Ratatouille)
Peter O'Toole's Anton Ego doesn't have much screen time inRatatouillebut his contribution to Pixar's best film outside of theToy Storytrilogy is immeasurable.The final monologue by Ego – what an apt name for the food critic,or any critic,really – has become a reference point for film writers.The text is definitive,reminding us that "in the grand scheme of things,the average piece of junk is more meaningful than our criticism designating it so."Yet,the bitter truth in the text wouldn't strike the right chords had it not been for O'Toole's sombre,elegiac tone.Remarkably balancing his authority with a palpable sense of resignation,O'Toole's final words elevate the scene beyond criticism.
-Amir Soltani

9.Eleanor Audley (Sleeping Beauty)
Angelina Jo-who?While the voluptuous star brought sexiness and unnecessary warmth to the part of Maleficent in this summer's blockbuster adaptation,she still doesn't hold a candle to the incomparable work of Eleanor Audley in the 1959 animated version.The actress bookended the 1950s for Disney through two of their most iconic creations,having also voiced Cinderella's stepmother in the 1950 version.ForBeautyhowever,she was firing on all Machiavellian cylinders as she brought a sense of immeasurable dread to what was considered to be a children's film.Her Maleficent is barely in the film,but she makes every line count.We don't need to hear her entire (or any) backstory to know that she was truly evil in ways we could only begin to imagine.In a time before villains were cool,she's the most interesting character and when she says "listen well,all of you",you couldn't pay us to ignore her command.
- Jose Solis
(more on this performance)

8 more great vocal performancesafter the jump...


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