Oscar History

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Yes Not Maybe So:Bombshell

" I am not liking this trend of portraits of terrible women,like Meghan and Phyliss Schafly,unless it's camp."-Jane

"Miss Charlize is like,"Do I need to remind you guys again who is the baddest bitch around here?."I just can'ttttt!She looks like Megan Kelly's twin -- that makeup work is insanity!!!"-Jono

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Directors ofFor Sama

Lulu Wang(The Farewell)
Ritesh Batra(Photograph)
Schmidt & Abrantes(Diamantino)
Wanuri Kahiu(Rafiki)
Jia Zhang-ke(Ash is Purest White)

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BEST PICTURE | BEST DIRECTOR | BEST ORIGINAL SCREENPLAY | BEST CINEMATOGRAPHYWe're nearly a week out fromBirdman's big win and as we close out 2014 coverage (I'm hurrying backstagewith our awardsand the podcast Sunday night is our Oscar finale) I'm feeling more and more satisfied with the way everything panned out.Oh surethe Julianne Moore Coronationkept my mood up but there were other things to cherish.

Share the wealth years are usually more satisfying not to mention more representative of a film year andall the Best Pictures took a statue (or more)home.And withBoyhoodwinning so many prizes on the way to Oscar,well that labor of love got plentiful rewards too.I know those awards weren't the Oscar but what's the point of having all of these awards if they all go to the same things.We should celebrate the teensy tiny bit of diversity of wins when they happen.

My delight inBirdman's win is,of course,in direct opposition to what seems to be the majority of critics,which is odd since the film had strong reviews originally.The internet was downright furious when it took Best Picture but whenisn'tthe internet furious,you know?

Depression,navel-gazing and recommended reads after the jump...

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