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Entries in 22 July (1)

Thursday
Oct 04 2018

Links

IndieWirea brief interview with Steven Yeun about life afterThe Walking Dead-- strangely there are no questions about his new Korean movieBurningdespite the fact that he's amazing in it
THRBradley Cooper getting an award from PETA for casting his own dog Charlie inA Star is Born.I mean....the dog is perfection,so why not?
Vanity FairFan Bingbing has broken her silence after disappearing.She is said to owe more than $100 million in backtaxes to the Chinese government


/FilmTrailer forThe Connersseries,essentiallyRoseannewithout Roseanne
The Guardiana wonderful interview with Samantha Morton about choices she made in her career,her new part onThe Walking Dead,and why she was dubbed "difficult"in her early years of stardom.
PlaybillEmmy & Oscar winner Christine Lahti now starring in a play Off-Broadway about Gloria Steinem calledGloria: A Life.Steinem is quite the hot topic at the moment since there's also a biopic in the works
Pajibaon the Bullseye rumors aroundDaredevilseason 3
Decidera Jeopardy moment that will go viral involving drag superstar Alyssa Edwards
/FilmNetflix will be releasing Paul Greengrass22 Julyin 100 theaters (they're also rumored to be trying to buy movie theaters,which is odd considering how much they've worked to diminish the moviegoing habit)
MNPPLuke Benward nine times
Daily Beastand director Catherine Hardwicke reflect back onTwilight's success and the sexist aftermath

This Week's Must Read (s)
Wesley Morris hasan amazing challenging essay about the new ways we discuss artand how they've come to center more on the artist and that person's perceived moral or representational correctness then the quality of the art.  I loved reading this because so much of what he's saying I've seen happening and whenever I tried to put my finger on why it was frustrating me,I couldn't quite locate the target.

The essay also promptedthis interesting discussion at Vultureamong a panel of mostly female critics.I love the point raised that there's a way to discuss art in this new way while also balancing aesthetic discussion but a lot of younger critics haven't been trained in that way or encouraged to learn that skill in the charged political time we're living in.