Oscar History

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Soundtracking:Southland Tales

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Entries in Jérémie Rénier (2)

Oct 07 2011

NYFF: 'The Kid with a Bike'

Kurthere.InThe Kid with a Bike,the near-immaculate latest from the Brothers Dardenne,11-year-old Cyril (Thomas Doret) is constantly on the move,chasing any possible shred of the father (Jérémie Renier) who recently dumped him in a Belgian orphanage and sold the family's belongings (including Cyril's precious bicycle) to pursue his culinary goals.It doesn't take long for Cyril to reclaim the bike,as it makes its way back to him thanks to the efforts of Samantha (Cécile de France) a kindly stranger Cyril literally latches onto during one of many attempts to escape his current guardians.Getting his father back,however,proves much less feasible,and Cyril's aching,at-all-costs need for paternal love and acceptance is what makes this sublime movie hurt so good.

Cyril's fervent drive also provides the film with a surprisingly brisk pace,ultimately aided further by a concise running time of 87 minutes.Even when he starts spending relatively quiet weekends with Samantha (who,without any explanation other than de France's actions and expressions,eagerly steps into a motherly role),the boy is never without telling,tireless propulsion.He and Samantha eventually find his father,and after a tedious attempt to get themselves noticed at the estranged man's workplace (a fortress-like eatery and the setting for a grating game of so-close-yet-so-far-away),Cyril gets a few moments with him that just kill you.Astutely filmed in one uninterrupted take,there's a kitchen scene that sees Cyril insist upon giving his dad a pass for every wrongdoing,and insist even more upon connecting with him in any possible way.He practically forces his dad to jot down a cellphone number,then squeezes in to help stir sauce while the father wants nothing but to get Cyril out of his way.

As they have surely been known to do,Jean-Pierre and Luc Dardenne exhibit an extraordinary grasp of youthful mindsets and sensations,from the thrill of popping a wheelie to the willful romanticizing of adults.The extent of the realism with which they are able to express Cyril's feelings is such that,at one very alarming point,I was brought directly back to a darker stage of my adolescence,specifically a Friday night when I knocked my father halfway down the stairs so I could leave the house.The confused rage of a child is not something easily articulated,but the Dardennes make it look easy.They also bring a youthful,crayon-box palette to the look of the film,effortlessly joining blue walls and yellow hallways and brightly-colored buses and parks with costume design that's defined by single-hued T-shirts (Cyril's red top is practically the movie's emblem).In the subtlest of ways,it's the cinematic equivalent of color-blocking,and it's just effective enough to be thematically supportive without force or pretense.

Amid being repeatedly shunned by his father,and systematically let down by another male authority figure – a local gang leader – whose surrogate approval he blindly seeks to the point of criminal acts,Cyril clings to his bicycle,a symbol of his parental and familial ideals that he must repeatedly retrieve from thieves (yes,Bicycle Thievesis evoked,but surely not for reasons so literal).Much of the story's emotional truth is made to work because of the stellar central performance from first-time actor Doret,who,along with Brad Pitt,Michael Shannon and Michael Fassbender,will likely make my personal Best Actor shortlist.With young skin and old eyes,this ridiculously naturalistic kid puts forth the ideal blend of the unexperienced and the weary,and he shows about as much consciousness of the camera's gaze as Cyril's father does of his son's existence.I won't tell you thatThe Kid with a Bikerides to a place of improvised-family acceptance,as that would grossly undersell it as something run of the mill.Instead,I'll say it ends on a note as perfect as Cyril could hope for,with an almost magical reassurance that the love he stumbled upon,and not the love he hopelessly pursued,is indeed his salvation.

Apr 11 2011

10 Word Reviews (A.K.A.Nathaniel Catches Up)

As per usual,though I maintain a healthy writing clip to fill The Film Experience with new material for vous,亚博主页I have some sort of mental block about traditional film reviews.So let's just get everything unreviewed that's in theaters (or in one case,HBO) out of the way right this very instant.I got places to be!We haven't talked about most of these so why not?

Deneuve,Viard and Rennier: comic successes in POTICHE

in which a trophy wife exceeds expectations and reforms her husband's business.
10WR: Knowing hilarious riffs on: Deneuve,70s,sexism;But souffle deflates.B/B+

in which an abandoned pet lizard becomes a hero in a thirsty desert town

: Surreal weirdness grounded by Western tropes.So ugly it's beautiful.B+

in which Todd Haynes adapts the famous novel for an HBO miniseries in five parts
10WR: Glacial pacing but slow build payoffs.Beautifully costumed,lensed.B/B-
EPILOGUE: I'll just come right out and say it.This was not the "event"I was hoping for,neither in performance or in direction.But I did like it.Needless to say,I'll stick to the Joan Crawford gladly,despite them being two very different things.

in which Jake Gyllenhaal keeps reexperiencing the same 8 minutes to solve a bombing
10WR: Perfectly servicable but stumbles exiting train;Needs more existential terror.C+

in which a washed up porn star (Kim Cattral) is pursued by a nerdy teenage fan
10WR: Cattral: effortful limited success;Movie: suffers badly from hermetic POV.C-

Finally,I do hope some of you will take in POTICHE if it plays in your town.It's quite funny and one should always support good non-English language films while they're still in theaters so that they keep releasing them;their market share is sadly ever dwindling.Potichehas done well abroad ($21 million) but isstruggling in US theaters($280,000).The cast is just delightful.I almost always likeJérémie Rénier(In Bruges) and the running gag about his lovelife has maybe the best punchline in the movie.It also amuses me that his name is so much like Jeremy Renner's and that theyalmostshare a birthday (January 6th and 7th respectively though Rénier is ten years younger).It goes without saying that Deneuve fills my heart with joy as she always has (she's in mytop ten actresses of all time list).Any Karen Viard fans out there?I'd love some recommendations as to other films as she's quite funny but I haven't seen her in many things.