Oscar History

The Film Experience™ was created by亚博主页Nathaniel R.Gemini,Cinephile,Actressexual.All material herein is written and copyrighted by Nathaniel or a member ofour teamas noted.

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Weekend Box OfficeWhat did you see?

"SawThe Kitchenand was disappointed.There was absolutely no style."-Ryan

"I would be more optimistic aboutThe Farewellif any of last year's deserving summer A24 releases,did better with the Academy."-Suzanne

"Scary Storiesis fun but not exactly great.It also has a confused but very intriguing relationship with history"-Dave

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Directors ofFor Sama

Lulu Wang(The Farewell)
Ritesh Batra(Photograph)
Schmidt & Abrantes(Diamantino)
Wanuri Kahiu(Rafiki)
Jia Zhang-ke(Ash is Purest White)

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Entries in Sandra Hüller (2)

Dec 26 2016

Female Performance Heaven Across Mediums

Our Year in Review is doubling up now,two "best of"lists a daily to wrap up.This afternoonMatthew Engexercizes his actressexuality.

Here are 25 scenes,songs,shots,reactions,line-readings,gestures,and whatnot that have stuck with me the longest from some — but notall— of my favorite female performances across film,television,music,and theater this year.Remember these?They are...in alphabetical order:

01Kate BeckinsaleandChloë Sevigny's bravura comic badinage is the main engine drivingLove & Friendship,which only ever threatens to turn softhearted when these two catty soulmates are finally forced to part.Beckinsale and Sevigny carefully modulate their straight-faced hauteur during this fond farewell,but refuse to let even an ounce of sentimentality disrupt their regal self-possession.It's one final,triumphant occasion for game to recognize game.

02"Value," the sixth episode of Donald Glover's extraordinary first season ofAtlanta, opens with an extended showcase scene of friendly rivalry between the luminousZazie Beetz(aslong-suffering public school teacher Van) and one-episode wonderAubin Wise(as her childhood pal,now an "Instagram escort").Both actresses tear into the scene with a comical trenchancy that scores its necessary laughs but also establishes a layered and fleetingly poignant background of affectionately-waged one-upmanship.

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Oct 07 2016

NYFF: "Toni Erdmann"is Astonishing

Here'sJasonreporting from the NYFF on a Cannes favorite and Oscar hopeful

It's not often you hear an audience of movie critics gasp out loud at something on-screen,butToni Erdmann,the new comedy of forced familial closeness from German director Maren Ade,has a comic moment so perfectly timed that it got the civilized cinema-set of New York City to jump out of their seats like this was anEvil Deadmovie in 3D.You know you've got 'em hooked when you can conjure up such a response - Hitchcock called it playing the audience like a piano.The fact that it comes via a comic-beat here,and not via a cat jumping onto a final girl's shoulder or a shower stabbing,makes it all the more astonishing.

And make no mistake -Toni Erdmannis astonishing...

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