Oscar History

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Great Moments in Horror Actressing: Margot Kidder

"This genre gives actresses some really juicy lines and roles,but denies them the acclaim that comes from more 'serious' roles.Kidder was a gifted actress who was indelible in a few films."-Lady Edith

"She won a Genie for it - because Canadians have great taste!"-Mike in Canada

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Entries in The Children's Hour (2)

May 23 2015

Stage Door: "Little Wars"

If I were a blurb whore I might start this article with:

"If you liked...

Julia (1977),The Children's Hour (1961),The Little Foxes (1941),Corey Stoll & Kathy Bates as Ernest Hemingway & Gertrude Stein in Midnight in Paris (2011),and Jennifer Jason Leigh as Dorothy Parker in Mrs Parker and the Vicious Circle

...than you'll loveLittle Wars"

But I am not a blurb whore.At least not most of the time.But Idothink you'll loveLittle Wars.

Here's a beautiful problem with theater (and smallish movies,too): there's more good stuff than anyone can possibly see.And also,sometimes,depending on promotional budgets and media pedigree or lack thereof in both cases,more good stuff that we sometimes ever hear about.I refuse to be a part of that problem so I blog from the missionary zeal of great entertainments.One of the reasons The Film Experience takes detours to theater and TV and books is that all of the storytelling playgrounds inform and cross-pollinate.亚博主页

Gertrude Stein and Alice B Toklas are the focus of "Little Wars"Which brings us to"Little Wars,"one of five works by a very promising young playwright Steven Carl McCasland who I hadn't even heard of until last week.(The five plays run in repertory through May 31stso there's only 4 more chances to see this one).I bring it to your attention because it's entirely affordable ($18 a ticket) and it's an actressexual's delight.

Little Warsriffs on iconic people and though that device can sometimes prove gimmicky (consider that wobbly first season ofPenny Dreadfulor any number of tacky riffs on "public domain"characters),it's also responsible for great works of art (case in point:The Hours,fictional but inspired by Virginia Woolf's 'whole life in a single day' work onMrs.Dalloway).McCasland's play happily falls much closer towards the latter pile of fictions.It imagines a 1940 evening inside the Parisian salon of Gertrude Stein (Polly McKie) & Alice B Toklas (Penny Lynn White),then "radical lesbians"-- radical because they were out -- who've invited "The Great Agatha Christie"(Kim Rogers) to dinner...liquid dinner nat'ch.Things don't go as planned since there's an unexpected visitor who goes by "Mary"(Kristen Gehling),a secretive housemaid (Samantha Hoefer) and Christie really disrupts the plans by bringing along Dorothy Parker (Dorothy Weems) and playwright Lillian Hellman (Kimberly Faye Greenberg).Initially just hearing these famous accomplished characters (who did know each other in real life though the play is fictional) verbally spar,boast,and drink like fish is entertaining enough but as the play progresses,organic drama emerges involving differences of opinion about art,the Nazi threat,marriages (gay and straight),and survival through wars large and small.

McKie and White anchor the play with fairly miraculous specificity as the odd (lifelong) couple at its center but most of the women are given at least one shining moment or two in McCasland's generous ensemble writing.I wanted a clearer picture of Dorothy Parker's famous wit,she mostly seems sad and drunk,but there was more than enough to compensate elsewhere.Familiarity with their collective works or previous biopics will undoubtedly aid your enjoyment -- especially if you've seenThe Children's Hour(1961) and Oscar favoriteJulia(1977) -- but the play is strong enough to stand on its own as a fascinating and unexpectedly moving collision of voices at a pivotal moment in history.

Kim Rogers as Agatha Christie in "Little Wars"© Samantha Mercado Tudda 'it's a small-world' bonus for readers of The Film Experience.亚博主页The actress playing Agatha Christie,Kim Rogers (no relation),is a longtime fan of The Film Experience -- we'd never previously met but we talked after the show.亚博主页

Mar 30 2015

TCMFF Wraps with Hollywood History & more Shirley MacLaine

Anne Mariehere in Hollywood,reporting on the end of the TCM Classic Film Festival.

The 6th Annual TCM Classic Film Festival came to a close last night after four days.Though the theme of the festival wasHistory According to Hollywood,the diverse programming of the festival showed that not only was TCM celebrating historical events and the films that portrayed them,it was also highlighting the this histories of the films being made,and - most importantly - the shared histories of the audiences that watched them.

It's impossible to cover everything the TCMFF screens (thoughThe Black Mariadid try),so instead I attempted to focus on the diversity of the programming.I watched Greta Garbo kiss a woman and renounce her throne for a man inQueen Christina.I watched two Pre-Code Hollywood musicals,Lubitsch'sThe Smiling Lieutenantand42nd Street.I saw Elizabeth Taylor and Richard Burton in a Tennessee Williams-penned movie calledBoom!that was so bad that it made Lindsay Lohan inLiz and Dicklook like Meryl Streep.I saw Christopher Plummer honored twice,but as a result missed Sophia Loren.I had three festival highlights: the French Revolution film noirReign of Terror,a program of single reel films run using a hand-cranked projector from 1905 (have you seen a short calledThe Dancing Pig?),and the newly restored 1919 Houdini filmThe Grim Game,constructed from the only surviving complete print.

But by far,the most valuable asset to TCMFF is its star power.Reader's choice film discussed after the jump...

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